Maeve
Maeve returns home to Belfast after a long absence. Her arrival in the city stimulates a series of memories of childhood and adolescence both in herself and other people.
Pat Murphy
Pat Murphy
Casts & Crew
Mary Jackson
Mark Mulholland
BrĂd Brennan
Trudy Kelly
John Keegan
George Shane
Nuala McCann
Aingeal Grehan
Carmel Grehan
Mel Austin
Justin Duff
Billy Doyle
Lucie Jamieson
Sheila Graham
Hugh McCarthy
Mike Vernon
Rob Gotobed
Dave Smythe
Raymond Gardner
BrĂd Davidson
Jackie Donnelly
Peter Quigley
Brendan Burns
Niall Cusack
Steve Donaldson
Austin Herron
Michael Kinsella
Brian Lynch
Gerry McLoughlin
Margaret McDonald
Seamus McGarry
Also Directed by Pat Murphy
In 1904, in Dublin, James Joyce chats up Nora Barnacle, a hotel maid recently come from Galway. She enchants him with her frank, direct and uninhibited manner, and before long, he's convinced her to come with him to Trieste, where he has a job with Berlitz. Over time, Nora pulls him through phobias, tolerates his drinking, takes in his brother Stan, and bests Joyce at 'the writin' game' to bring him back to Italy from Dublin where he's gone to open a cinema. But his sexual jealousy threatens the relationship and sends her back to Galway with the children. Is there any way to tame Jim's green-eyed monster? And, will the lad ever get his stories published?
'Psychedelia' is an hour-long documentary film about psychedelic drugs and their ability to induce mystical, or religious experiences. The film explores this relationship by chronicling their use in controlled research studies prior to the cultural upheaval of the 1960s, at a time when LSD was regarded as one of the most promising discoveries in the field of psychiatry.
Set in Varanasi, an ancient city of India, Tana Bana offers a rare look at the hidden world of Moslem weavers and Hindu traders and how their lives are interwoven through the production of the silk and the beauty it creates. However, as the technology advances, the trade is threatened by computerization and globalization.
The story of Anne Devlin, who was caught up in the revolt of the Irish under Robert Emmett in 1803, told exclusively from the woman's point of view.