Maracatu, Maracatus
The cultural differences between the several generations of the rural maracatu: an afro-indigenous ritual which originated in the sugar mills of the state of Pernambuco.
Jofre Soares
Marcelo Gomes
Casts & Crew
Also Directed by Marcelo Gomes
Juvenal is a metro driver from Belo Horizonte. Margô, a station controller. Both live in a state of complete solitude – each in a particular way. Juvenal refuses to be alone and strolls through the streets of this metropolis taking comfort by mingling with the anonimous crowd. Margo seeks relief in the virtual world of social networks where she struggles to establish long lasting relations with real persons.
A trip, sort of a daydream in the Brazilian badlands. Remote places reveal traditions and customs of a landscape that is at once primitive and contemporary, regional and globalised.
A documentary film about the Brazilian town of Toritama, the self-proclaimed capital of jeans. The workers of the city’s self-managed small businesses only get one real break from their self-exploiting lives in the textile business: the annual Carnival.
A finely tuned, emotionally raw portrait of a woman’s conflicted entry into adulthood, Once Upon a Time Veronica is a thoroughly modern anti–fairy tale. Director Marcelo Gomes shows a rare ability to get under the skin — and cut close to the bone — of his emotionally vulnerable but resilient main character. Anchored by a tour de force performance from the fearless Hermila Guedes, this sensual, psychologically complex character study charts the personal and professional growth of one young woman in Recife.
José Renato, a 35-year-old geologist, is sent out on a solitary expedition to the hinterlands of northeastern Brazil. The purpose of the trip is to assess possible routes for a canal that will connect the area with the only major river in the region. As the field trip progresses, it becomes clear that Renato shares with those places the same emptiness, sense of abandonment and isolation.
Paloma is a transexual woman farmer who decides to get married in the church with her boyfriend Zé, a bricklayer. Unfortunate coincidences turn this event into national news headlines. The quiet life in a rural area of Ceará is completely shaken by Paloma’s urge to get married in a liturgical ceremony, and at the end, Paloma is severely punished for breaking up social conventions.