Marly Normal

The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.

Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost daughter, Roxane for a career in modeling. Quitéria is naive, a gull for thieves. Cida has a husband and also a lover. While each woman gets what she wishes for (more or less), it doesn't always make things better.

Two young boys, Laranjinha and Acerola, living in Cidade de Deus, one of the most violent neighborhoods in Rio de Janeiro, need some money to go to a concert. The "easiest" (and most dangerous) way to get it is working for some drug-dealers.

Inspired by Arthur Schnitzler's classic La Ronde, screenwriter Peter Morgan and director Fernando Meirelles' 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.

When the mysterious call girl Danny Bond comes on the scene, a crime of passion changes forever the lives of all involved. Who will the victim be? And the villain? After all, in a story so full of secrets and infidelity, who can get away with it to live happily ever after?

When a sudden plague of blindness devastates a city, a small group of the afflicted band together to triumphantly overcome the horrific conditions of their imposed quarantine.

Cidade de Deus is a shantytown that started during the 1960s and became one of Rio de Janeiro’s most dangerous places in the beginning of the 1980s. To tell the story of this place, the movie describes the life of various characters, all seen by the point of view of the narrator, Buscapé. Buscapé was raised in a very violent environment. Despite the feeling that all odds were against him, he finds out that life can be seen with other eyes...

Frustrated with the direction of the church, Cardinal Bergoglio requests permission to retire in 2012 from Pope Benedict. Instead, facing scandal and self-doubt, the introspective Pope Benedict summons his harshest critic and future successor to Rome to reveal a secret that would shake the foundations of the Catholic Church.

An awe-inspiring documentary exploring what makes Brazil one of the greatest footballing nations ever: ‘ginga’, the mysterious, indefinable magical quality of rhythm and movement which sets the Brazilian game apart from the rest. Produced by Fernando Mereilles (City of God, The Constant Gardener) and directed by three up-and-coming young filmmakers, Ginga follows seven young footballers from a diverse range of social and ethnic backgrounds, providing a glimpse into the passionate culture that produces some of the world’s finest footballers.

From his origins as a poet to his success as a singer and composer, Arnaldo Antunes revisits the most remarkable moments of his career.

A puzzle to Western eyes, China is a giant that imposes itself through the barriers of language, traditions and history. With testimonies and images of historical and sentimental value, journalist Jayme Martins and his family lead us to a comprehension of China through the unprecedented narrative of his experience in that country: Communism, Mao’s Cultural Revolution, the Celestial Peace Square Massacre, the reforms that culminated with the country becoming a superpower. Director Marcelo Machado dives into these memories and visits the country with which he possesses an affective liaison.

Set against the turbulent atmosphere of the 1960s, Tropicália is a feature length documentary exploring the Brazilian artistic movement known as tropicália, and the struggle its artists endured to protect their right to freely express revolutionary thought against the traditional brazilian music of that time.

Five documentary filmmakers were invited to dive into the collection of the Museu da Pessoa and to propose rereadings and authorclippings from the life stories of Brazilians who passed through the museum.

About the routine of those who live on the streets of São Paulo. Gilberto, a cardboard scavenger, becomes the video reporter and interviews other homeless people about poverty, exclusion, work and life.