Mayer Pran

This classic adultery story tells of an artist, Prasanta (Barua) presented in the stereotypically romantic image: dedicated to his vocation, paying no heed to his scandalous reputation (he paints nude models) and with a cavalier attitude to his conservative father-in-law's (Choudhury) demands for a good social behaviour.

Manoj is from the aristocratic class but has some sort retrograde amnesia; he belongs to the upper-class but is also an outsider, something that enables the possibilities of movement across the class-lines for him. This trope is essential for Barua to articulate the criticism of the indolent upper class in the film. Thus Manoj is both an object of criticism and ridicule while also being one of the critics.

The story of an unemployed graduate who falls in love with a woman who ran away from her cruel husband.

Maya (Jamuna) is the poor cousin of rich socialite Shanta (Azoorie). Shanta is supposed to marry the equally rich Pratap (P. Sanyal), but he falls in love with Maya and fathers her child before going abroad. Shanta causes a seperation by intercepting Pratap's letters to Maya. When he returns, a successful lawyer, he us unable to trace her, while her efforts to meet him are foiled.

Devdas (Saigal/Barua), son of a zamindar, and Parvati (aka Paro)(Jamuna), his poor neighbour's daughter, are childhood sweethearts. Status and caste differences prevent their marriage and Devdas is sent to Calcutta while Paro is married off to an aged but rich widower. In Calcutta the hero meets the prostitute Chandramukhi (Rajkumari/Chandrabati Devi) but remorse drives him to alcohol and (after a long train journey in which he attempts to run away from himself) he comes to die in front of his true love's house. The Hindi version.