Mayor of the Sunset Strip

Blake Pellarin is on the campaign trail to become president of the United States. While making a stop in St. Louis, a chance encounter brings his past back to haunt him.

Philip Van Horn, who left his small town a long time ago to become a Hollywood actor and hasn't had any success at that, returns to the town for a visit. There he is uniformally met like some kind of celebrity and movie star. He uses it to impress his (and everybody's) school love Dorothy, her life now a grey boring experience.

A failed novelist's inability to pay the bills strains relations with his wife and leads him to work at an escort service where he becomes entwined with a wealthy woman whose husband is a successful writer.

George Hickenlooper interviews Dennis Hopper about his artwork and his career in film and the state of cinema in the 1980s.

Based on a true story, a hot shot Washington DC lobbyist and his protégé go down hard as their schemes to peddle influence lead to corruption and murder.

A visceral deconstruction of Academy Award nominated Peter Bogdanovich and the nervous breakdown he nearly had while shooting THE LAST PICTURE SHOW.

Yale graduate John has come to Hollywood to catch his big break. It hasn't happened yet.

"This documentary persuasively positions cult figure Monte Hellman as emblematic of an entire generation of American directors. From UCLA film school and Roger Corman hireling to working with Jack Nicholson and independent filmmaking in the 1970s, to his subsequent retreat from directing, Hellman's career illustrates the ups and downs of an artist working in a medium where the lines between art and commerce are often blurred."

George Hickenlooper filmed five pages (two scenes) from Orson Welles' screenplay of "The Big Brass Ring" in 1997 in the hope of attracting interest in the project. The feature film version was released in 1999.

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.