Med kameran som tröst, del 2

Behind the stage action. Three ballet girls. A janitor using rough manners to approach the girls, without success. He gets advice from a colleague to treat the girls with more respect.

A report from Gothenburg in the future where fashion is retro and the cars are old. A Gothenburg similair to the present.

A woman gets locked in the office for a whole night and is offered late take off and spend a peaceful and peaceful time in the woods.

A man finds a lot of mysterious pieces that lie here and there in the city. Is that information, is it propaganda? The man finds a map and begins to follow the paths of the patches. What will he find at the end? Who is behind everything?

An newly arrived immigrant to Sweden is dazzled by the culture, conveniences and excesses of western lifestyle.

A film about male friendship that cracks. And a settlement with the 1900s patriarchal genius myth. Håkan Alexandersson (1940-2004) was an artist rebel in 60s.

Carl-Johan De Geer talks about his hometown Stockholm, how he will miss it when he's gone.

A film about nature's nature and meaning "cookies" versus "patchwork". This against a serious core: "The anxiety and pressure that the adults live under, with lack of money and unfulfilled dreams lead to behaviors that the children may suffer, but as the children in this movie get an overview and help relieve."

A contradictory picture of Nazism in the Swedish aristocracy. To distance themselves from Nazism is obvious for most people. But not for everyone.

Carl Johan De Geer remembers his old friend Lena Svedberg. He talks about how they used to make their magazine together, how beautiful but strange she drew and how bad she seemed to feel.