Megacities

Set within a Viennese apartment block, this affectionate Austrian comedy makes fun of the strange habits of the famed city's residents. The building is located in a middle-class area and has residents from many age groups and walks of life. Many of the tenants are much older, but there are also a few children about. In one apartment lives a large group of Polish construction workers, while a Yugoslavian woman and her huge family attempt to survive in their tiny flat. The episodic story of the lives of these and other tenants is framed by a visit from a civil servant from the Office of Statistics.

More than two years after the sudden death of Michael Glawogger in April 2014, film editor Monika Willi realizes a film out of the film footage produced during 4 months and 19 days of shooting in the Balkans, Italy, Northwest and West Africa. A journey into the world to observe, listen and experience, the eye attentive, courageous and raw. Serendipity is the concept - in shooting as well as in editing the film.

The film is a collection of one-minute short films created by 60 filmmakers from around the world on the theme of the death of cinema.

4 directors decided to investigate why Jörg Haider's far right "Freedom Party" won the election in Austria in 1999.

FRANKREICH WIR KOMMEN is a highly enjoyable documentary, obviously intended for TV, but showing at film festivals. It shows us the highlights of the 1998 World Cup Championships in France through the eyes of several interesting and diverse fans of the Austrian national team. Entertaining, even for those not interested in football.

Gangster boss Carlos orders the dodgy Viennese junkyard owner Harry to bring him a bag from Poland. Harry passes the order on to his "best man" Schorsch. Schorsch, not exactly the brightest, is currently without a driver's license and completely fixated on the 24-hour car race of Le Mans. So he gives the order to Mao and sends in their place the takeaway lessees Hans and Max to Poland. Their journey leads to a seemingly endless drug trip full of extraordinary phenomena.

A street in Oakland. Early morning hours. A motion. Music. A few sound bits. Someone paints the wall of a studio. Colors. Broken televisions. A street in Oakland. Early morning hours. A motion. Different music. Columbus. End.

Ever had an idea for a film? Ever actually visualised this film in your mind? Or even sketched out scenes and camera angles? Plenty of film buffs have. Michael Glawogger invited 12 people to talk about their ideas for a film and then shot short fragments for them. The result is a crime-story-erotic-lyrical-experimental-vampire-fantasy-horror-soap-opera-splatter-trash-road-movie-melodrama posing as a documentary!

For his friend and colleague Michael Glawogger (who directed the rest of the film), Ulrich Seidl contributed a series of existential documentary scenes from 1980's Vienna.

Twenty-eight well-known filmmakers living and working in Austria were invited by WIENER MOZARTJAHR 2006, to produce associative miniatures on Mozart. Requirement: they had to be one-minute artistic short films. The directors come from a whole range of different backgrounds, ranging from animated, experimental and short film to documentaries and feature films. The result is a multi-facetted sampler of diverse formal and contextual positions with regard to Mozart’s person and his influence on today’s society, art and culture. The contributions run the gamut from experimental-conceptual statements through socio-critical and documentary observations to pithy short feature films.