Mel Brooks: Unwrapped
At the age of 91, Mel Brooks is unstoppable, with his musical Young Frankenstein opening to great critical acclaim in London in late 2017. Alan Yentob visits Mel at home in Hollywood, at work and at play.
Alan Yentob
Casts & Crew
Mel Brooks
Alan Yentob
Also Directed by Alan Yentob
George Melly explores his lifelong relationship with surrealism in all its forms and prominent personalities.
The Man Who Saw Too Much tells the story of 106-year-old Boris Pahor, believed to be the oldest known survivor of the Nazi concentration camps. He was sent to Dachau, Dora, Harzungen, Bergen-Belsen and Natzweiler – one of the Nazis' least known but most deadly camps. Twenty years after the war, Pahor wrote an extraordinary book about his experiences called Necropolis - City of the Dead. Pahor’s harrowing descriptions are illustrated with remarkable drawings by fellow prisoners, creating a unique record of conditions in the Nazi death camps. His testimony, along with details from a shocking report into the camp by British intelligence officer Captain Yurka Galitzine and the chilling testimony by SS commandant Josef Kramer, infamous as the Beast of Belsen, combine to tell an extraordinary story.
This insightful biography tells the story of legendary singer/songwriter Yusuf Islam, previously known as Cat Stevens, as he celebrates his return to the music industry and the release of his first album in almost 30 years.
The documentary depicts Bowie on tour in Los Angeles, using a mixture of documentary sequences filmed in limousines and hotels, and concert footage. Most of the concert footage was taken from a show at the Los Angeles Universal Amphitheatre on 2 September 1974. There were also excerpts from D.A. Pennebaker's concert film Ziggy Stardust and the Spiders from Mars, which had been shot at London's Hammersmith Odeon on 3 July 1973, as well as a few other performances from the tour. Cracked Actor is notable for being a source for footage of Bowie's ambitious Diamond Dogs tour at the time he was a cocaine addict and also for showing Bowie's fragile mental state during this period.