Merry-Go-Round

Vittorio stops to help Kate when her car breaks down on a mountain road. When they meet again, Vittorio discovers that Kate has rejoined a circus after a long time away. He begins to learn about the troupe's buried past and Kate's connection to it, while experiencing the magic of the circus.

The second film covers Joan's trial and the end of her life.

Marie, is just out from prison when she runs into Baptiste a young paranoid needing companionship. In their pursuit of a mysterious briefcase carried by Marie's former lover, they roam the street of Paris, transformed into a giant board game, a maze spotted with mysterious traps, puzzling clues, and chance encounters. Maybe they are bricks in some sinister scheme, maybe they are playing a board game, maybe it's a fairy tale, maybe it's yet something else...

The Daughter of the Moon battles the Daughter of the Sun over a magical diamond that will allow the winner to remain on Earth, specifically in modern day Paris.

Two actresses fall prey to the supernatural manipulations of a nightclub magician.

A mysteriously linked pair of young women find their daily lives pre-empted by a strange boudoir melodrama that plays itself out in a hallucinatory parallel reality.

In the third part of a Cinéastes triptych on Jean Renoir, the director sits alone in a cinema analyzing scenes from La Marseillaise and The Rules of the Game, and discussing his editing and storytelling techniques.

Quick-witted, well-read cultured types revolve around each other in a delightful potpourri of theatre, romanticism and theft.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes. The results run the gamut from Zhang Yimou's convention-thwarting joke to David Lynch's bizarre miniature epic.