Midsummer Night

A small film crew, of three expatriates of Norrbotten and a dog, get stone-city-anxiety and decides to build a cottage in a pine tree outside Harads, Boden, Norrbotten, Sweden.

Why are gooseberries so much more valuable than deer trees and why did the Sami men lay naked on the marsh in the past? How do you respond to a mock execution and what is actually panic attack? Ella and Moa are two girls with more questions than answers and during a summer night they approach a little cautiously of their Sami origin. —Jonas Selberg Augustsén

An extreme subculture. Young men with snowmobiles in the Lapland mountains.

This melancholy, dryly comedic Finnish-language film is the fourth of a five-part series on minority languages in Sweden.

Autumn, the season when nature prepares to be reborn by dying. Two young fellows. They are perhaps not the most popular characters in the small Tornedalen community since their method of subsistence is on the outskirts of morality.

A misunderstanding between some hunters leads to an extraordinary, mysterious hunt in the mountainous landscape of Lapland.

In room 1112 at hotel Riverton during Göteborg's 2011 film festival, director Jonas Selberg Augustsén brings together some of Sweden's most famous film workers and asks a question: "Are the celluloid film about to die, and what do you think it means for the moving image?" The film is inspired by Wim Wender's 1982 documentary, Chambre 666.

Somewhere in Sweden, a gigantic dumpster breaks free from a heavy chain suspended underneath a big helicopter. The dumpster hits the ground with a formidable crash and the garbage spouts out into the surroundings. Meanwhile, an aging Roma woman wakes up in her house with an extremely strong desire to get her old wall clock back.

A woman finds out that her 7-year-old son has stolen from her. She tries to explain that it was wrong but has difficulties conversing at a level the boy can understand. She improvises her message in a bedtime story. Based on a novel by Anton Chekhov.