Moana
Robert J. Flaherty's South Seas follow-up to Nanook of the North is a Gauguin idyll moved by "pride of beauty... pride of strength."
Robert J. Flaherty
Frances H. Flaherty
Also Directed by Robert J. Flaherty
A visual celebration of Manhattan and its waterways on the 300th anniversary of purchase from the local Native Americans.
Put together from the pictorial space in the artwork. Flaherty was commissioned by MoMA and subsequently filmed Guernica, disregarding any external reference to the painting.
A short, silent documentary by Robert J. Flaherty about pottery in England.
The idyllic life of a young Cajun boy and his pet raccoon is disrupted when the tranquility of the bayou is broken by an oil well drilling near his home.
This black and white movie is based on Rudyard Kipling's "Toomai, of the Elephants", in which a small native lad claims he knows the congregating place of the elephant hordes.
The life and works of the great artist Michelangelo Buonarroti are shown against the historical background of his time. It begins with his earliest artworks, and follows his life and career as he achieves lasting fame. The documentary includes detailed looks at some of the artist's most renowned creations.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Documentary showing the poor state that American agriculture had fallen into during the Great Depression.
Grierson set out to make "propaganda," and this film--with it's voice-over proclaiming the great value of the British industrial worker, without a hint of ambiguity or doubt--fits that category well. The authoritatarian narrator feels out-of-date and unsophisticated, but the footage is well shot and interesting, and the transparency of the propaganda aspect is almost a reflief at a time when so many films have hidden agendas.
For the last 200 years the Aran Islands have exercised a powerfully romantic fascination on the outside world which is without equal anywhere else in the country. They were believed to contain the essence of the ancient Irish life, represented by a pure uncorrupted peasant existence centred around the struggle between man and his hostile but magnificent surroundings. This myth, strengthened by the writings of Yeats and especially Synge was hugely expanded by the release in 1934 of Man of Aran, a documentary on the life of the Island people. This film won international acclaim and explained in no small way why so many different nationalities walk the surface of Aran in their thousands between May and October each year.