Monicelli. La versione di Mario
Wilma Labate
Felice Farina
Mario Canale
Mario Gianni
Annarosa Morri
Casts & Crew
Also Directed by Wilma Labate
Inspector Sciarra, struggling with an identity crisis and Domenica,an orphan who would like to know about her mother, spend one day along the vicoli of Naples. It's Sciarra's last day of work and he must take Domenica to the morgue., to dentify a man who killed himself and might have raped her. To Domenica the inspector is a father she never had, to Sciarra the little girl is the daughter he couldn't have
A woman wants to graduate to the Italian Naval Academy in the 60s. She has to fight her family, her friends and a world not ready to accept her.
Italy, early 80's. A terrorist is being transferred from Sicily to northern Italy and during the journey a police officer tries to make him cooperate.
They are very young and come from all over the industrial districts of Tuscany, so different from the famous hills of Chianti: the steelworks of Piombino, the port of Livorno and the Piaggio factories in Pontedera. It is the red province of “houses of the people” and the Italian Communist Party. Getting away from this region is a dream for them, but this is 1968 and everything is possible! They receive an offer they can’t turn down, a tour in the Far East: Manila, Hong Kong, Singapore. Armed with musical instruments and a desire to sing, they set off hoping for success but find themselves in the middle of the Vietnam War. Fifty years later, Le Stars tell the story of their adventure amongst American soldiers, remote jungle bases and soul music.
Nadia is an apathetic girl living in Trieste.
Also Directed by Felice Farina
Also Directed by Mario Canale
A documentary about Vittorio de Sica with clips of his films and testimonials from friends and family.
The documentary focuses on Marco Ferreri and shows an unconventional man, extreme, provocative in ways, always a step ahead in its work, and often considered a visionary and experimental. The documentary honors the memory of a filmmaker too soon forgot that left an indelible mark in the seventh art.
Era Roma is about a magic moment in the city’s history – from 1963, with the founding of Gruppo ’63, and 1979, when the Poets’ Festival was held at Castelporziano – when the Italian capital exerted a magnetic pull on artists who were independent, underground, and freewheeling. It would not come around again. They were artists who sought each other out and used politics to engage with society and change lives, in a season that started with the post-war economic boom and ended in a reaction against the upheaval of the 1968 protests. Stock footage, film clips, and interviews with the leading figures of the day, all collected over the years, make Era Roma the distillation of an amazing, turbulent era when the arts blurred the borders with real life and tried to turn reality into a work of art.
After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.
Also Directed by Annarosa Morri
A documentary about Vittorio de Sica with clips of his films and testimonials from friends and family.
After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.