Mortimer Griffin and Shalinsky

An odd cab driver learns that a research scientist is in dire need of funding and reveals himself to be an eccentric philanthropist in disguise. Happiness ensues.

Produced in 1967, this black and white film is an inmate's view of Daytop, a drug treatment centre on Staten Island, New York, where addicts learn to get along without drugs. Uncompromising, often brutal group therapy sessions are designed to shake loose the excuses a victim makes for himself. The people and situations shown are authentic; only one actor was employed. The results obtained at Daytop are regarded by some psychiatrists as a breakthrough.

A young man runs from the voices in his head into the arms of an elderly cowgirl.

Journalist Jayne Manley tries to get back the job she lost. She leaves to investigate a millionaire who is rumored to have bought a precious gem, the Emerald Tear. If she can find proof of this, the scoop would ensure a new job at the newspaper. But Jayne and Edward fall madly in love and the secret of her true identity is revealed.

In a town where half the men die down the coalpit, Margaret MacNeil is quite happy being single in her small Cape Breton island town. Until she meets Neil Currie, a charming and sincere bagpipe-playing, Gaelic-speaking dishwasher. But no matter what you do, you can't avoid the spectre of the pit forever.

All Melvyn Rosenbloom wants is to go back to the days when things were simpler and people were kinder -- the good old days. Deciding to renounce women altogether, he finds a house in his old neighbourhood and persuades his elderly crotchety father Harvey to move in with him. Harvey is something of a comic and, as Mel rediscovers, none too easy to live with. To add to the friction, there's the landlady, Jackie. From Mel's point of view as an aspiring celibate, she's all wrong: far too intelligent, attractive and unconventional. But, strangely enough, Jackie becomes the focus of the Rosenblooms' refashioned lives.

Released in 1969, this short documentary was one of the most influential and widely distributed productions made by the Indian Film Crew (IFC), the first all-Indigenous unit at the National Film Board of Canada. It documents a 1969 protest by the Kanien'kéhaka (Mohawk) of Akwesasne, a territory that straddles the Canada-U.S. border. When Canadian authorities prohibited the duty-free cross-border passage of personal purchases—a right established by the Jay Treaty of 1794—Kanien'kéhaka protesters blocked the international bridge between Ontario and New York State. Director Michael Kanentakeron Mitchell later became Grand Chief of Akwesasne. The film was formally credited to him in 2017. "You Are on Indian Land" screened extensively across the continent, helping to mobilize a new wave of Indigenous activism. It notably was shown at the 1970 occupation of Alcatraz.

When a camera crew are sent to document hippie protests in Yorkville, Canada's counter-culture capital, they are charmed by a group of misunderstood kids with their own ideas about what kind of movie to make.

Sharon and her ten year old son Bayo live in Tickle Cove on the shores of Bonavista Bay, Newfoundland like generations of their family have before them. Sharon hates her life there. She dreams of moving to Toronto - where her now deceased mother was from - to eke out a better life for her and Bayo. She even leaves her big black packed trunk in the middle of the foyer as a symbolic gesture that that move will soon be happening. She equally hates her fisher father, Phillip Longlan, for subjecting her and her mother to life there. Phillip, who spends most of his time on a commercial fishing boat, only provides Sharon enough money to survive but not to achieve that dream of leaving. Bayo, however, doesn't want to leave, especially leave his grandfather behind. He wants to live and die by the sea, much like his deceased father, who he never knew.