Mr. Freedom

In seven different parts, Godard, Klein, Lelouch, Marker, Resnais and Varda show their sympathy for the North-Vietnamees army during the Vietnam-war.

For the very first time, a documentary team is allowed to shoot sequences in the backstage of the French Open of tennis of Roland-Garros.

Klein goes on the hunt for Little Richard, the legendary ‘Architect of Rock and Roll’, who quit show business in 1957 at the height of his fame to become an evangelist. Richard was then lured back to secular music in the 1960s and 70s, but the excesses of stardom led him to a second retreat from the stage. For years he struggled to reconcile his religious calling with his flamboyant rock-and-roll persona, and at the time of filming, Klein finds Little Richard selling ‘Black Heritage Bibles’ for a Nashville couple. Sensing that his image is being exploited, Richard quits his sales position and deserts the film. But Klein turns this into an opportunity to reconstruct Richard’s personality through the words of his family and friends in his native Macon, Georgia, and to celebrate his status as a cultural icon by filming scores of Little Richard impersonators and adoring fans in Hollywood.

Part II of a compilation movie featuring European T.V. commercials directed by a variety of well-known directors from across Europe and the U.S. Compiled and produced by Jean-Marie Boursicot.

Highlighting the work of emerging fashion world all-stars like Karl Lagerfeld, Jean-Paul Gaultier and agnès b., Klein surveys the state of women’s fashion in the 1980s with this eccentric hybrid documentary scored by Serge Gainsbourg.

William Klein’s first film is an impressionistic study of late-fifties Broadway, an ominous city-symphony lit by bright flickering light. Orson Welles would delcare it "the first film I've seen in which colour was absolutely necessary".

Filmmaker William Klein documents the Paris student riots that occurred in May of 1968.

The portrait of Eldridge Cleaver, the "Minister of Information" for the Black Panthers movement, in exile in Algiers.

In 1977 France, the Ministry of the Future chooses two “normal,” white, middle-class citizens, Claudine and Jean-Michel, for a national experiment. They will be monitored and displayed on television for six months in a model apartment outfitted with state-of-the-art products and nonstop surveillance—the template for “a new city for the new man.

Universally accepted as a true icon of the 20th century, Muhammad Ali’s phenomenal achievements spanned sport, politics and religion. One man – photographer William Klein had comprehensive access to the events that shaped Ali’s legend. In 1964, the young gregarious Cassius Clay successfully defeated the seemingly invincible Heavyweight Champion of the World Sonny Liston – the manner of Clay’s victory and his amazing persona made him an instant superstar. Through this incredible period, and Clay’s subsequent rematches with Liston, William Klein enjoyed unrivalled access top Clay’s camp – witnessing at first hand Cassius Clay becoming Muhammad Ali and angering the American people with his allegiance to Islam. Forward to Zaire 1974, and the return of Muhammad Ali to the world stage to face another invincible champion George Foreman. As Ali reclaimed the crown for a second time, Klein was ever present, capturing the full story at close quarter.