My Afternoons with Margueritte

Lucien, 14, can’t understand why his father, a serious and respected teacher, makes a fool of himself by dressing up as a clown and giving a show. André, Lucien’s father’s best friend, feels for the teenager and decides to reveal something from their mutual past that will explain the reason for Lucien’s father’s strange behavior.

After an accident, Pierre, a sixty years old grumpy man, ends up stuck on an hospital bed with a cast. While Pierre dreams of silence and solitude with his strong character, the whole world seems to invite himself to his hospital bed. Powerless, he has to support the daily visits of doctors,nurse and hospital staff then his closes including his brother Herve. Visits after visits, funny or touching, Pierre starts to reconsider some people and reexamine his environment. And after all, his stay becomes a second chance ...

Antoine Méliot is around 40 years old and has everything he needs to be happy: a beautiful wife, two adorable children, friends he can count on, a pretty house in the Yvelines and money. But one day he decides to ruin everything in one weekend.

In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon's mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother's sorrows, her father's injury, this quick marriage, and the last name on her birth certificate?

Jean-Paul Belmondo is a lovable lothario who delights in his womanizing ways in this ribald comedy adventure. When two women can't get enough of him, he is chased to Tahiti and back to Paris by admiring females. His experiences are exhausting to the point that he considers giving up his life as a ladies man.

Contre l'Oubli (Against Oblivion) is a compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.

Despite his fame, Taillandier has suddenly stopped painting. Deeply depressed, the sixty-year-old decides to go away. He has no clear goal and explains nothing to his close friends. During his travels, he has a strange encounter with Marylou, a wild teenager who was rejected by her mother. The lost girl and the man at the end of his tether will travel together awhile. Finally living like a father and daughter, at peace.

Rosa, a housekeeper in a NATO office in Paris, steals a micro film for her lover whom she hopes to marry.

In 1919, in a small town under the crushing heat of summer, a war hero is held prisoner in an abandoned barracks. Outside, his mangy dog barks night and day. Not far off in the countryside, an extraordinarily intelligent young woman works the land, waiting and hoping. A judge whose principles have been sorely shaken by the war is coming to sort out this case of which it is better not to speak.