Napoletani a Milano

An unscrupulous theatrical agent introduces his latest "discovery" to an elderly baron who becomes infatuated with her.

Pasquale and Maria are two neapolitans that go live in an ancient mansion that is believed to be inhabited by ghosts.

An American starlet inflames two Italian peasants who forget about their respective fiance's. One of them even thinks of marrying her and begins to plan for the engagement banquet. When the girl decides to live the countryside harmony reigns again.

A poor girl is convinced she is the daughter of a prince.

A French/Italian motion picture drama covering the seven deadly sins in seven separate sections.

The comedy, centered on five characters (Rita, Rodolfo, Agostino, Bettina, and Don Attilio - "o viecchio pazzo"-), has as background the Italy of the 60s between the economic boom and the perennial unemployment crisis. The cylinder, well explained by "Agostino-Eduardo" in the comedy, is a representation of power, designed to intimidate the ignorant for its only evocative "power". It can also be seen as a sort of "Pirandellian mask", where the character of Augustine wears it to defend himself and represent something that he is not.

A man talks about the Marshall plan.