Naso di cane

Django comes to town to discover that his brother Steve, accused of robbing a bank, has been lynched. Django believes the real culprit is Sartana and challenges him to a duel. Just in time he discovers that the author of the crime is an important local figure and Django and Sartana join forces to punish him.

The Roman Catholic Pope is planning a reconciliatory meeting with the head of the Ukrainian Orthodox Church, an event awaited for many generations. But suddenly, right while the Pope is addressing the crowds gathered in the Piazza Navone, a nun is assassinated by a Ukrainian, placing the upcoming talks between the two leaders in jeopardy. And the head of the American diplomatic corps (the nun was an American) assigns the investigation of the killing to one of his underlings, which leads the young man to investigate the Russicum, a center for the study of Russia within the Vatican city. And from there he finds himself caught up in an intrigue of international proportions, filled with agents and double agents, and ending with a revelation most unexpected.

Luigi, a middle-aged engineer who, getting increasingly worried about the rising crime rate in his surroundings, follows the advice and example of his sleazy drinking cronies (whose relaxation activities include photographing nubile girls in the nude) to arm himself with the titular weapon; the problem is that he starts carrying – and, occasionally, brandishing – it with him everywhere (at his workplace, while taking a walk with his estranged wife Claudia Cardinale, etc.).

In this painful melodrama, an aging mother (Claudia Cardinale) attempts to cope with the progressive deterioration of her grown son due to his drug addiction. At first only manipulative, in addition to stealing from her he eventually becomes abusive and violent, and she must take strong measures if she is to save her own life, much less his.

Film starring Franco Nero, Tony Musante and Erik Estrada

The fast career of a young Neapolitan among contraband, gambling dens, bribes and illegality. He will upgrade its rank till the maximum level of the "Family".

After witnessing the brutal murder of his entire family by Native Americans as a child, Jeremiah Bridger becomes a merciless Indian-killer and scalp hunter. After saving the life of a beautiful Native American girl named Tune, however, the lone and silent gunman slowly reconsiders his hatred. He starts to doubt his former persuasion, that it was really Indians, who killed his family, and soon has to find out that a greedy and unscrupulous landowner usually blames Native Americans for his own crimes.