National Lampoon's Movie Madness
A parody of film genres composed of three shorts, spoofing personal growth films, glossy soap operas, and police stories.
Bob Giraldi
Henry Jaglom
Tod Carroll
Shary Flenniken
Pat Mephitis
Gerald Sussman
Ellis Weiner
Casts & Crew
Diane Lane
Peter Riegert
Candy Clark
Teresa Ganzel
Ann Dusenberry
Robert Culp
Joe Spinell
Margaret Whitton
Fred Willard
Olympia Dukakis
Mary Woronov
Dick Miller
Robby Benson
Richard Widmark
Christopher Lloyd
Irene Cagen
Christy Hartburg
Also Directed by Bob Giraldi
Is it just another evening at the hugely popular Italian restaurant of proprietor and bookmaker Louis Cropa in New York? Anything but as tonight's guests include; a local police detective and his wife specially invited by the owner; on the balcony rival bookmaker gangsters from Queens who want to become partners in the restaurant; in the corner renowned food critic 'the food nymph' is her usual demanding self; and at the bar, seemingly unnoticed, is Ken. As the evening continues enter Duncan, inveterate gambler and sous-chef on-the-line in the frenetic kitchen downstairs, who acts as the catalyst that causes the evening to draw to its inevitable, explosive, deadly conclusion.
Outdoor Concert by Jean Michel Jarre to celebrate 150 years of Houston and Texas and 25 years of NASA.
Now-classic holiday special based around Rogers' and Partons' best-selling album, Once Upon a Christmas.
A very successful stock broker is called to court to testify against a mob boss who was into some inside trading. Andrew Morenski must become Max Hauser and go back to high school for protection from the mob.
A simple story exploring a poignant few weeks in the life of a twenty-something gay man who finally comes out to his beloved grandmother in the Jersey City house he was raised in - in spite of mounting pressure from his domineering mother and west village live-in boyfriend.
Nearly 2 hours of the short films that made HIStory... Including never before released short films.
Various romantic entanglements occur among the week's visitors to a Club Med resort in Ixtapa, Mexico. The "chef du village" is shocked when a former lover turns up, and must also cope with the troubled son of a close pilot friend killed on a rescue flight.
Also Directed by Henry Jaglom
Filmed entirely on location in East Hampton, Long Island, "Last Summer in the Hamptons" concerns a large theatrical family spending the last weekend of their summer together at the decades-old family retreat which economic circumstances have forced them to put on the market. Victoria Foyt plays a young Hollywood actress whose visit wreaks havoc on the stellar group of family and friends - led by matriarch Viveca Lindfors and made up of an extraordinary mix of prominent New York actors, directors, and playwrights. In the course of a very unusual weekend, comic as well as serious situations arise, and the family's secrets - of which there are many - begin to unravel.
L.A. shop owner Dana and Englishman Sean meet and fall in love at first sight, but Sean is married and Dana is to marry her business partner Alex.
Focusing on Holly G. (Foyt), a successful clothing designer with her own boutique, this film portrays a complex aspect of women's lives, one that is usually overlooked or dismissed by mainstream Hollywood: shopping!
Zee is walking up and down Manhattan streets, talking to herself and to the husband who has just left her. At a sidewalk café she runs into Eli. A very unlikely, funny and touching relationship develops between two lost souls in the big city, which is the third major character in this film
Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. Is Kaz for real? Can Rick sweet-talk Alice and sabotage Kaz to keep Millie from taking that deal? Millie consults with Victor, her ex, about which picture to make, Rick needs money, an ingenue named Blue is discovered, Kaz hits on Victor's new love, and Rick's factotum connects with Blue. Knives go in various backs. Wheels spin. Which deals - and pairings - will be consummated?
Gena is an average woman who is torn between her current boyfriend's desire to marry her and start a family, and the unexpected arrival of an old boyfriend wanting to pick up where they left off. To further complicate matters, she might be pregnant herself. In the mist of this unsettled personal life, Gena leaves her two men to attend a baby shower party for a girl friend and talks with the various female attendees all of whom are facing their own ticking biological clocks.
A passionate theater actress must follow her mind or heart when she falls for a slick television star
During a party at movie director Danny's home, a group of friends and actors people are reunited to converse about love and relationship. Orson Welles is the "judge" of these conversations.
At a spacious house in Los Angeles, Helene is turning 40-years old and her friends whom include French filmmaker Martine, house guest Sophie, and Lydia throw her a party. But also there is Kate a friend turning 30, and Sadie a Hollywood film agent turning 50. So, all of Helene's, Kate's, and Sadie's friends arrive for the party where Martine films the events with her movie camera and the shocking secrets revealed by Helene's mother Whitney, and her younger sister Nancy whom confide in their interviews about their obsession with food, and their roles in life.
The tale of a young girl fresh off the bus from Iowa, who falls in love with a sexy and promising young actor, though their relationship threatens to complicate her own obsessive goal of becoming a famous actress. The film perfectly captures the delightful and desperate lives of those chasing dreams in Hollywood: One day they are shuffling down a boardwalk with too many suitcases, and the next they are lounging in contemporary hillside homes with a view of the city. Though neither state is permanent the more desirable one fuels the dream. The story's extraordinary execution portrays Hollywood as the fantastic and insane place that it is. Written by Lane Kneedler, American Film Institute Magazine