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Set in the Summer of 1988 and based on real events, the film tells the story of East-German twins Isabel and Doreen, two aspiring oarswomen, whose lives are changed dramatically during a training camp at Lake Balaton in Hungary. There, the girls make the acquaintance of West-German friends Arne and Nico. The holiday flirt soon turns serious when Doreen and Arne fall in love. As the end of their stay approaches, Arne asks the inseparable sisters to flee to the West with him…

Sven arrives in nowadays Auschwitz to do his civil service at the memorial. He encounters unfriendliness, especially by Stanislaw Krzeminski, the 85 year old KZ-survivor, and Krzysztof Lanuszewski, brother of his early love affair Ania. Even his boss Herold, the places manager, does little to help Sven familiarize. But when problems accumulate Sven realises that he already has become involved.

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF 2 in Austria and SF1 in Switzerland. The first episode was broadcast on November 29, 1970. The opening sequence for the series has remained the same throughout the decades, which remains highly unusual for any such long-running TV series up to date. Each of the regional TV channels which together form ARD, plus ORF and SF, produces its own episodes, starring its own police inspector, some of which, like the discontinued Schimanski, have become cultural icons. The show appears on DasErste and ORF 2 on Sundays at 8:15 p.m. and currently about 30 episodes are made per year. As of March 2013, 865 episodes in total have been produced. Tatort is currently being broadcast in the United States on the MHz Worldview channel under the name Scene of the Crime.

Four very retired, ex-GDR spies, or "Kundschafter des Friedens" as they were officially named, led by the once legendary Jochen Falk, are called on by the German government. Their mission is to rescue the interim president of the divided Republic of Katschekistan, who has been kidnapped by separatists, along with Berlin's official man on the ground, Franz Kern. To keep Jochen and his maybe no longer so crack team under control, all of whom are determined to prove they were treated unfairly by history, they are put under the command of the young and enthusiastic BND agent Paula Kern.

Christine and Conrad are what we call modern parents nowadays: While he stays home to raise children, she makes a career as a doctor, earning big money. When Konrad with comes home with the offer to act as a theater director again, organizing the day-to-day family life becomes increasingly difficult. Who will take care of their daughters Emma and Kate? As it turns out, it is in fact not that easy to find a competent girl.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.

Five German directors celebrate the influence that famed filmmaker Rosa von Praunheim has had on their careers in honor of his 70th birthday. After discussing Praunheim's inspiration, each protégé presents an original short drawn from the experience.