New Faces of 1937
A crooked producer makes money from Broadway flops by selling more than 100% interest to multiple parties. He only fails if it makes a profit.
Leigh Jason
Casts & Crew
Joe Penner
Milton Berle
Harry Parke
Harriet Nelson
William Brady
Jerome Cowan
Thelma Leeds
Tommy Mack
Bert Gordon
Lorraine Krueger
Ann Miller
Dewey Robinson
Patricia Wilder
Richard Lane
Dudley Clements
William Corson
George Rosener
Harry C. Bradley
Derry Deane
Frances Gifford
Mary Louise Smith
Betty Johnson
Jan Wiley
Beatrice Schute
Juanita Fields
Cynthia Westlake
Betty Brian
Doris Brian
Gwen Brian
Freddy Hickey
Henry Hite
Eddie Rio
Frank Rio
Stanley Ross
Carol Adams
Harry Bernard
Mildred Boyd
Catherine Brent
Hillary Brooke
Dorothea Durham
Beatrice Gray
Melissa Mason
Robert Emmett O'Connor
Dorothy Roberts
Camille Soray
Rene Stone
Diane Toy
Buster West
James Ferris
Also Directed by Leigh Jason
When the murdered body discovered by beautiful, vivacious socialite Melsa Manton disappears, police and press label her a prankster until she proves them wrong.
James Craig is torn between his criminal career as the masked bandit named the "El Paso Kid," and the life of a law-abiding citizen with his long-suffering wife Zoe. He repeatedly tells Zoe, "just one more time," but he is unable to stop which angers her greatly. However, he does have brief moments of heroics such as when he helps the Widow Weeks save her farm.
Snooty heiress decides to track down her dead sister's kids, who are living a Bohemian life with their uncle in Greenwich Village. Once she finds them, she discovers that the Bohemian life is fun and free of the constraints her country-club life places on her. But she decides to take the uncle to court anyway to free him from the kids so he can paint.
When he loses his lead singer, bandleader Kay Kyser can't find a replacement he likes.
Nikki Martin (Lily Pons), a beautiful French opera star, stows away on an ocean liner in hopes of escaping her jealous fiancee. Once aboard, she joins an American swing band and falls in love with its leader, who, after hearing her sing, eventually comes to reciprocate her feelings.
This economy-minded Columbia backstage musical opens with overly fussy director-choreographer Eddie Dolan (wartime star-substitute Fred Brady) in exigent mode, much in the Cole manner. Closing the movie are two archetypal Cole numbers: a perfect capture of his nightclub rhumba routine (using costumes that also appear in Tonight and Every Night) and a backyard tomboy-romp that morphs into a waltz, one of Cole’s oft-repeated themes. -Museum of Modern Art
An American architect learns he has two children whom he fathered during his military service.
One of the members of a sorority is found murdered. Although the police are called in to investigate, some of the girls decide to do some sleuthing on their own to unmask the killer.
A gang of teenage delinquents terrorize a small community by stealing cars and stripping them for parts, then selling the parts to a crooked junkyard owner. The police and an insurance company investigator set out to break up the gang.
Hollywood stars go wild at the Riviera film festivals.