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New World Order
Filmmakers Luke Myer and Andrew Neel make it real hard to just laugh away the crazy conspiracy theorists in their new feature documentary, New World Order. In fact, what they do instead, is humanize their efforts. What makes the documentary work is that rather than focusing on the theories, Myer and Neel focus on the people.
Luke Meyer
Andrew Neel
Casts & Crew
Joe Biden
Bill Clinton
George W. Bush
Zbigniew Brzezinski
Also Directed by Luke Meyer
Darkon is an award-winning feature-length documentary film that follows the real-life adventures of the Darkon Wargaming Club in Baltimore, Maryland, a group of fantasy live-action role-playing (LARP) gamers.
Breaking a Monster begins as the band members of Unlocking The Truth are all in 7th grade, spending their weekends playing metal music in Times Square - often to substantial crowds. They take on a 70-year-old industry veteran manager. With his guidance they are soon on their way to a $1.8M record deal with Sony Music. Anything feels possible, and the eyes of the world are upon them. The boys are coming of age, not only as they become professional musicians, but also as they transcend childhood and step into adulthood. The sudden breakout of any band, let alone one of pre-teens, is an extremely narrow and specific period in time - Breaking a Monster is the story of this rapid transformation
Also Directed by Andrew Neel
Darkon is an award-winning feature-length documentary film that follows the real-life adventures of the Darkon Wargaming Club in Baltimore, Maryland, a group of fantasy live-action role-playing (LARP) gamers.
Reeling from a terrifying assault, a nineteen year old enrolls into college with his brother and pledges the same fraternity. What happens there, in the name of 'brotherhood,' tests him and his loyalty in brutal ways.
The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated registers: that of the archival footage and that of the new, theatrical material. In his guise as “Michel Auder,” living a fulsome and extravagant life, replete with beautiful women and a rock-cut pool overlooking Los Angeles, the art world is revealed as a sham, and his character exhibits a repulsive narcissism. And yet, when caught in quiet moments, something poignant emerges—a glimmer of truth that rebels against the entire endeavour. Or maybe, that’s what makes The Feature.
The life and work of Alice Neel (1900-1984), American portrait painter. Part of the narration is chronological, part consists of interviews with friends, other artists, scholars, and family members, particularly two sons, Richard and Hartley, who are none too sanguine about their childhood and their mother's Bohemian life, and the filmmaker himself, a grandson whose querulous voice is heard from time to time. The film also includes footage of Neel, later in life, painting, talking, appearing on television, and giving lectures. Throughout, we see her paintings, bold, frank, and direct. After years of poverty and obscurity, fame comes as she nears 70.
Kelly strips – her best friend Jordan captures the event on her mobile phone. Kelly’s name is well known among the visitors of (in)appropriate online portals. The two teenagers digitally record anything and everything that crosses their paths and upload the results to the internet. But, today is not their day: Kelly’s ex-boyfriend has taken her car containing a package she was not to lose under any circumstances. While searching for it, the two set off on a peculiar journey through a night peppered with drugs, sex, corrupt police officers and other catastrophes – and always with their trusty mobiles in hand. Made entirely using mobile phone cameras, KING KELLY is a satirical journey through the boundless narcissism of the YouTube generation.