Nicolás y los demás

Three stories ("Lo mismo de otra manera", "Félix", and "Te tengo una sorpresa") that delve deeply into issues such as human solidarity, infidelity, and social conflicts in contemporary Puerto Rico.

Explores old age, death, economic hardship and homosexuality, its acceptance and tolerance.

Facing financial ruin, four siblings decide to sell the valuables within their mother's house, without telling her and by embellishing their history.

The film follows the actions of a corrupt police captain, the title-character Ángel Lugo. Lugo is responsible for the wrongful imprisonment of Mariano Farías and the murder of his pregnant wife. After 15 years in a federal prison, Farías is still determined to prove his innocence.

Film consisting of five stories: "Dios los cría...", dealing with brothers' rivalry for an inheritance; "Negocio redondo", about a lawyer selling a property to the Catholic church with guilty feelings; "Entre 12 y 1", where a couple and a close friend get trapped in an elevator; "La gran noche", a night in the life of an old prostitute; and "La otra", where a man alternates between two women.

A group of comedians tell everyday stories of a barriada.

A group of filmmakers analyze the situation of their country's cinema while some children record them.

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

Santiago, a retired accountant, casually meets Angelina during one of his daily walks in Old San Juan. They soon become friends, even though she refuses to give out any personal information.