No Trace of Sin
A young man from a high-bourgeois family, Henrique receives mysterious phone calls from a woman at the barracks where he is serving in the military, which attracts him to meetings without consequences.
Casts & Crew
Victoria Abril
Saul Santos
Armando Cortez
João Perry
Mário Viegas
Juvenal Garcez
Arlete Teixeira
Luís Godinho
João Maria Pinto
Mário Vasques das Neves
Luís Bordalo Silva
Jasmim de Matos
Teresa Mónica
Ana Bola
Manuel Mendonça
Mário Santiago
Amadeu Caronho
Carlos do Carmo
Tony Morgon
Tozé Martinho
Fernando Alves Pinto
Ana Lorena Ochoa
Lena d’Água
Elisa de Guisette
Adelaide João
José Gomes
Henrique Viana
João Soromenho
Rogério Paulo
José María Nóbrega
António Chainho
Lia Gama
António Cara D'Anjo
Ana María Pereira
Isabel de Castro
Maria Otília
Luisa Roubaud
Inês de Medeiros
Also Directed by José Fonseca e Costa
Two lovers meet again in strange circumstances, when she is a recent widow not particularly grieving, and he is a divorcée mourning his daughter. They reunite, only to break again - this time for good.
Portugal, late 1940's. André must leave the country after running away from prison. In Oporto some friends get him a guide, Lambaça, a smuggler who knows very well the Trás-os-Montes border from Portugal to Spain.
Final feature film by portuguese director José Fonseca e Costa.
In Portugal, in the 60s, the corpse of a man appears on Dog's Beach. The corpse is identified as the major Dantas, a man wanted by authorities after his escape from a military prison where he was awaiting trial for insurrection.
Homage to Fernando Pessoa and the city that lies next to the Tagus River.
An intriguing story about a family and a manor house (where some terrible crimes were committed in the past by a member of that family) adapted from a novel with the same title by Tabajara Ruas.
"Kilas" (a Portuguese misrepresentation of the English word "killers") is the nickname of a petty con-man who gets involved with a deadly ring of spies.
Alentejo 1975. The Police associate a group of traveling players with a strike of agricultural workers. The action takes place in the open space and harsh heat of the Alentejo. With the connivance of Lianor, the troupe enters the palace of Don Gonzalo an old aristocrat. The gentleman is obsessed by visions of great past deeds in a universe of ghosts. This was the first example of militant cinema in Portugal after the end of the Estado Novo dictatorship, exploring the world after the Carnation Revolution and its contradictions.