Notes on Monstropedia

The second short in the series Karo and Piyobupt by Koji Yamamura

A festival cut/compilation of the animated segments made by Yamamura Kouji for a TV documentary by NHK, Kojiki Girl Travelogue (古事記ガール 日向路を旅する). The 4 episodes that compose The Hyuga Episode of Kojiki are: #1 The Cleansing (禊/ Misogi, 3’17”) #2 Sun Goddess Amaterasu (天照大御神/ Amaterasu Ookami, 2’11”) #3 Flowering Tree (木花之佐久夜毘売/ Konohananosakuya-bime, 2’31”) #4 Umisachi and Yamasachi (海佐知山佐知/ Umisachi Yamasachi, 3’30”)

A Parade for three managers and four performers. Sketchy drawings in a neatly arranged palette, involving quotes from the French composer Erik Satie, set to the music of Parade performed by the Dutch Willem Breuker Kollektief

Ivory consumption in Japan is a bit of a problem. It needs to be stamped out.

North is everywhere solitary. Here is all North. This is a record of the people I met in these Norths.

Winter Days is a 2003 animated film, directed by Kihachirō Kawamoto. It is based on one of the renku (collaborative linked poems) in the 1684 collection of the same name by the 17th-century Japanese poet Bashō. The creation of the film followed the traditional collaborative nature of the source material – the visuals for each of the 36 stanzas were independently created by 35 different animators. As well as many Japanese animators, Kawamoto assembled leading names of animation from across the world. Each animator was asked to contribute at least 30 seconds to illustrate their stanza, and most of the sequences are under a minute (Yuriy Norshteyn's, though, is nearly two minutes long).

The painter Kuwagata Keisai lived over 200 years ago. He created 'Ways to Sketch', a series of picture books illustrating humans and animals, all richly expressed. One day he was sketching out a carp, just at that moment he slept and he became a carp in dream. A carp was enjoy to swimming, but a fisherman caught that carp...

Created using "Etching on film" from the NFB's McLaren's Workshop Application.

A seaside school. In the corridor stands the principal, beloved of the high-spirited youngsters. Gazing at a picture of a whale drawn as a child, the head teacher is swept away with sentiment into a flashback from the past.