Numéro un - Demis Roussos

Mr. Bennett is a model citizen, a tender father and an irreproachable husband, he yearns for a quiet life. On a weekend he receives a visit from a strange man called Pédro Juarez. Mr. Bennett’s past suddenly resurfaces and his peaceful existence is turned upside down ...

Abbado wholly vindicates Verdi’s intentions through his feeling for the shape of a whole scene, for the inherent subtleties of Verdi’s scoring and for certain rhythmic effects.

Based, in part, on Shakespeare's The Merry Wives of Windsor, Falstaff is Verdi's last work for the stage - and only his second comic opera. And yet the humour in this multilayered masterpiece is distinctly wry, for all the main characters exhibit an array of human weaknesses that are implacably exposed by Verdi and his librettist Arrigo Boito.