Oiga Vea!

A woman decides to take revenge on his mischievous boss in a terrible way...

Two filmmakers travel around impoverished sectors of the cities of Bogotá and Cali in search of the images of abjection needed to complete a documentary commissioned by German TV. Meanwhile, another camera captures these “vampire” filmmakers feeding off the misery of their marginal subjects.

Takes place in 1956 under a militant dictatorship, but an uncontrollable crisis is about to take place in part of the country as buildings are blown up, people exterminated and a hidden evil force is unleashed. The supernatural force released starts to turn innocent people into bloodthirsty killers (a combination of zombies and vampires) but the military and most who live in the countryside of Cali are unaware of this. There is also a little political subtext when incest becomes involved, though if they are possessed, does that take on a new meaning?

The sectors studied are the Yumbo industrial complex (the rainbow of pollution), which threatens to create a fence of smoke and pestilence around the city of Cali. The Mamonal complex (Bahía de Cartagena) and the garbage of the big cities. The film, depending on its geographical direction, is divided into five chapters, namely: air, water, garbage, noise and lack of trees.

This is a somewhat irreverant look at the Church of San Ignacio (Saint Ignatius of Loyola) in Bogata. Established in the 17th century by the Jesuit order, it is a building of lavish baroque interior and exterior edifices and statuary. The film examines the subtle antagonisms between popular and clerical uses of the sacred images and rites.

A visit to the Monserrate church in Bogota

A young model runs away from the set of a commercial spot she's filming, and enter the mansion of Araucaima, where its dwellers indulge in strange rites.

In this early short, Mayolo takes viewers on a visit to the estate of Simon Bolívar in Bogotá where stately memory and crass commercialism collude to obscure what Bolivarismo was supposed to be?

In this short film, the title of which translates as "Black Knee", a team of football players (played by members of the Barrios Unidos Cali team) encounter a pair of skinnydipping hippies out in the fields and steal their transistor radio. This seems to trigger something in their most legendary player, Jonny Mosquera: a terrible syndrome that makes him literally fall to his knees. Like La hamaca, Agarrando pueblo, Carne de tu Carne and other films made by Mayolo, this film blends deeply unsettling imagery and lowkey genre filmmaking into an equally unsettling and exhilarating realism.

Documentary on Cali in Colombia

For lina Gonzalez Vergara.

Experimental film inspired by Andy Warhol's 'Sleep'.

Two filmmakers travel around impoverished sectors of the cities of Bogotá and Cali in search of the images of abjection needed to complete a documentary commissioned by German TV. Meanwhile, another camera captures these “vampire” filmmakers feeding off the misery of their marginal subjects.

Satirical short comprising wartime footage, purporting to be from the Soviet Film Agency and depicting a successful bomb strike on Washington.

Between 2014 and 2017, Luis Ospina and Lina González made a series of travels through some Asian countries; perhaps the antipodes of their symbolic world. These travels started a series of records, articulated in a kind of travel log in the style of a modern Marco Polo. This film moves between the gaze of the filmmaker and that of the tourist, at the same time it revitalizes the question for the other in a globalized age, with omnipresent screens. In this posthumous film, Ospina casts his regard on small details, be it common habits or exceptional events.

Faced with his imminent death from AIDS, Colombian artist Lorenzo Jaramillo looks back on his life and work through the five senses.

A short semi-documentary that goes behind the story of the 1922 Colombian classic, 'María'.