Oss

Short documentary on Obos, a building cooperative in Oslo.

Norwegian TV-drama

Marianne is going on 17, she feels too fat, and struggles with the ideals girls have to live up to to get accepted. When she meets her penpal Svein for the first time things look up, but she soon has to face new and unexpected problems when she discovers she is pregnant. Not being able to get support even from her own family, she has to make her life's most difficult decision on her own.

A collage film about weekly magazines.

Little Ida's mother is working for the Germans during WW2, and she is also having a relationship with a German SS-officer. Ida is experiencing the problems of having a mother who is involved with the enemy, without being old enough to understand what is actually going on.

«What do you really want», Jan shouts to Reidun. They are a young couple, but their relationship is brittle and seems to be dissolving due to both internal and external pressures. On the weekend they invite another couple for dinner, but the companionship and fun are gradually destroyed by quarrels and infidelity. Still, the two women finally seem to find understanding and solidarity in eachother. Week-End depicts how the political also permeate the private, in a way both original and typical of its age. The tension between old and new gender roles is one cause of the problems in the relationship between Reidun and Jan, but the political is just one aspect in a film that also deals with emotions, relations and identity. Week-End is rooted in 1970s social modernism, mixing modernist storytelling strategies with a political sub-theme of female identity and solidarity