Otello
The complete version of Verdi's Otello performed by Placido Domingo and Kiri Te Kanawa, at the Royal Opera House, Covent Garden. Gala Performance in honour of Sir Georg Solti's 80th birthday.. 27 October 1992. BBC 2 Television live relay.
Casts & Crew
Plácido Domingo
Kiri Te Kanawa
Sergei Leiferkus
Roderick Earle
Robin Leggate
Ramon Remedios
Claire Powell
Mark Beesley
Christopher Lackner
Also Directed by Brian Large
Nabucco - live from Metropolitan Opera, June 2002. On its surface, Nabucco is about the epic struggle of Zaccaria and the Jews suppressed by Babylon’s King Nebuchadnezzar and his vengeful daughter, Abigaille. But to Italians fighting for their freedom from Austria, Verdi’s first great opera was an inspiring call to arms.
Written 20 years after Madame Butterfly (1904), Puccini's version of an 800-year-old fairy-tale is set in a legendary Peking and scored on a grand scale, incorporating not only Chinese musical techniques but a vast range of oriental percussion. Puccini draws heavily on the chorus, and as ever makes intense demands on his heroine, to which Eva Marton rises powerfully, very well complemented by the tenor Michael Sylvester as Calaf. However, what makes this 1994 San Francisco Opera version so enchanting as a visual experience is the realisation by David Hockney, who not only designed the sets and costumes but also directed the production. His vision is highly stylised, richly imagined, atmospheric and very beautiful, and it is a testament to how well this version is directed that much of the original magic is communicated through the confines of a TV screen.
In the awe-inspiring Teatro Olimpico,Vicenza, Cecilia Bartoli, recognised as one of the best singers of our time, gives the most outstanding recital of work from a variety of composers such as Caccini, Schubert, Handel, Vivaldi, Bellini, Donizetti,Mozart, Rossini, Viardot and Bizet.
A production of Mozart's opera recorded live at Zurich Opera House in 2000. Cecilia Bartoli leads an all-star cast including Roberto Saccà, Liliana Nikiteanu, and Agnes Baltsa. The conductor is Nikolaus Harnoncourt. Filmed live at the Zurich Opera House in February 2000 on a set which visualises the subtitle "The School for Lovers", the plot revolves around two army officers arguing about the fidelity of their brides, then setting out to test their chastity. Despite the often playful humour, this is not only psychologically telling music-making, but reveals Mozart exploring the structure of opera, discarding convention to mix large ensemble sections with arias for as many different combinations of singers as possible. With Liliana Nikiteanu attractively contrasted with Bartoli, and thoroughly convincing performances by Roberto Sacca (Ferrando) and Oliver Widmer (Guilelmo), this Così has a freshness and flow which, coupled with the timeless romantic themes, feels very contemporary.
Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.
Flemings voice might have been made for Ariadne and she achieved a great personal triumph in this production: The chief glory of the evening was hearing Renee Fleming, the Straussian soprano par excellence, making her role debut as Ariadne… As the possessor of what is, possibly, the most beautiful soprano voice in the world, she put her vocal treasures in the service of an empathic, nuanced interpretation of the role. From the creamy top, through a rich, warm middle, to the bewitching, darker colours of her lower register, Fleming poured her magnificent sound into Strausss enchanting melodic arcs, animating the sadness, vulnerability, and desire of the bereft princess...
Live performance from the Metropolitan Opera, 27 February, 1996.
Live from the Met 1997
Taped live in Barcelona's Gran Teatre del Liceu on January 31, 2002, this L'Orfeo is both a visual delight and a musically satisfying representation of Monteverdi's opera
Also Directed by Elijah Moshinsky
Nabucco - live from Metropolitan Opera, June 2002. On its surface, Nabucco is about the epic struggle of Zaccaria and the Jews suppressed by Babylon’s King Nebuchadnezzar and his vengeful daughter, Abigaille. But to Italians fighting for their freedom from Austria, Verdi’s first great opera was an inspiring call to arms.
In the midst of World War II, Nazi officer Otto Schatz declares the execution of Jewish music-hall comedian Genghis Cohn. Many years later, Otto is comfortably retired into the life of a highly respected police commissioner, and is investigating a series of murders when he encounters the ghost of Genghis Cohn. The haunting turns into a taunting, and before he knows it, Schatz is slowly driven mad as he is lured into a trap.
Verdi’s monumental score is fully the equal of Shakespeare’s famous tragedy—and both demand great actors. This is one performance where both playwright and composer are well served. Plácido Domingo’s Otello is one of the glories of the operatic world, beautifully sung and so commandingly acted that audiences are devastated by the end. Renée Fleming’s ravishingly beautiful Desdemona is deeply moving, and as Iago, James Morris is as beguiling as he is menacing. Under James Levine’s conducting the Met orchestra and chorus are vital characters in the drama.
Simon Boccanegra is Verdi's magnificent telling of a humble 14th century Genoan who rises to become Doge of the great city. The plot centers on the political intrigues between Boccanegra (Domingo) and his adversary, the aristocratic Jacopo Fiesco, and the discovery of his long-lost daughter, Amelia. This story though replete with an inevitable tragic conclusion is ultimately one of hope, as the two great men are able to rise above their power-driven animosities to ensure peace amongst their beloved Genoa's warring factions and by placing familial and civic love ahead of their own individual desires.
Cymbeline, the King of Britain, is angry that his daughter Imogen has chosen a poor (but worthy) man for her husband. So he banishes Posthumus, who goes to fight for Rome. Imogen (dressed as a boy) goes in search of her husband, who meanwhile has boasted to his pal Iachimo that Imogen would never betray him. And Iachimo's determined to prove him wrong.
The publication of Ghosts in 1881 caused an uproar and almost ruined Ibsen. It was banned across Europe and sales of his plays plummeted. Its themes of moral degredation - out-of-wedlock children, venereal disease, incest, infidelity, and euthanasia - proved too shocking. The play remains shocking even for modern-day audiences. Captain Alving was a respected man in his community, and on the tenth anniversary of his death, Mrs Alving is preparing for the opening of an orphanage in his honor. This effort however, is really an attempt by Mrs Alving to mask her hidden disgust with Captain Alving who in reality was a cheating, immoral philanderer who bequethed a deadly legacy to his son Oswald.
A TV adaptation of Shakespeare's comedy, made for the BBC Television Shakespeare series.
After meeting her old school friend Sandra Delaney, who now works as a stripper, pub owner Maureen Hardcastle decides to spice up her flagging business by turning it into a male stripper club, with the help of untrustworthy businessman Billy Bowman.
When the King of Navarre and three of his cronies swear to spend all their days in study and not to look at any girls, they've forgotten that the daughter of the King of France is coming on a diplomatic visit. And the lady herself and her attendants play merry havoc with their intentions.
In Verdi’s retelling of Shakespeare’s towering tragedy, Renée Fleming gives a captivating performance as the innocent Desdemona, a role long considered one of her calling cards. Johan Botha as the title hero delivers an imposing portrayal of a proud warrior brought down by jealousy, and Falk Struckmann is thrilling as the villainous Iago. James Morris sings Lodovico. Elijah Moshinsky’s production is conducted by Semyon Bychkov.