Our Walls
The neighbourhood of Housewives. The district of Insomniacs. The newsstand of the Unknown Mother. The underground of The Lonely Women. Our walls pay tribute to the people we love.
Maria Elorza
Maider Fernandez Iriarte
Also Directed by Maria Elorza
In 1972, in one of his best-known articles, Pier Paolo Pasolini spoke of the disappearance of fireflies. A few months later he was murdered. Since then the fireflies have continued to disappear. But there are still people who remember them.
Twelve short films, twelve portraits of the city of San Sebastian.
—You really loved him? —Yes, I stopped loving him recently. (Interferences. Silences. Fissures. Two women talking. A radio-graphy).
Also Directed by Maider Fernandez Iriarte
A collective effort about the recent history of Spain. A distorting mirror, a radiography, a rotten but exquisite corpse: the blood, the sweat, the dandruff of a country in the shape of a large and extended bull skin. A parade of freaks. The ridiculous independence of the upstairs neighbor, the sovereignty demanded by an insane parrot prisoner in its open cage. Football, potato omelette, kings and safaris. Things not to do again. Guerrilla cinema. Hysteria of Spain.
The Virgin appeared to Sofía. Then she travelled to Lourdes and was cured of something incurable. In another time and another place, a group of doctors meet to discuss her case. What happens when science and religion meet?
Twelve short films, twelve portraits of the city of San Sebastian.
A punk documentary which is, at the same time, a history of Catalonia, an analysis of its political situation in 2017, a comic lamentation on the milestones of the Procés —the broken, unsuccessful path started October 1st which eventually should've ended with a true declaration of independence from Spain—, and a chaotic festival of references to pop culture, from Dumbo to Salvador Dalí.
Jordi was born 51 years ago with cerebral palsy. Although he can’t speak, he tries to communicate using his letter chart. That’s how he tells Maider, the director of the film, that at the age of 21 he felt God talking to him for the first time. But today, now that he has moved out of his parent’s house into a home, he no longer feels God. Once a year, Jordi makes a pilgrimage to the Sanctuary of Our Lady of Lourdes, where he searches for his connection with God, despite not knowing if God will come back one day.