Oxalá

"Os Imortais" is without a doubt one of the best, or probably, the best Portuguese film ever made. It certainly is a landmark on the Portuguese cinema's scene; this movie his worth every minute. Every year, four ex-soldiers that call themselves "Os Imortais" (translated "The Immortals"), get together with four women to celebrate war deeds and to remember the old days, back in the war. On the summer of 1985, tired of their monotonous lives they decide to rob a bank. Joaquim Malarranha, a chief inspector from the local police about to retire, crosses their path and will spend his last days of duty trying to solve the robbery. But has he carries on with his investigation, he discovers more than he could ever think of.

Jô is kicked out of home by his father on his birthday. Having no place to go, he takes refuge in the terrace of Rose, who just lost her husband.

Telenovela star Mariana is on the verge of a nervous breakdown: shooting is not going smoothly, her popularity is waning, and she is forever being hounded by paparazzi. Frustrated, Mariana can't find out who is responsible for these invasions of her privacy. It is the feared 'Paparazzo' Gabriela Santos, who's real name is Juan. One day, Juan and Mariana meet by chance and fall in love. Now Juan must do everything he can to prevent Mariana from discovering his true identity.

A powerful entrepreneur wants to build an exclusive resort hotel in Villanova, but he discovers the location he has in mind is protected by local land-use regulations. He hires Maria, a beautiful and elegant prostitute, to seduce the mayor, leaving him open to blackmail if he won't give the entrepreneur what he wants. Maria has no trouble twisting Meireles around her finger, but police detectives Madeira and Neves get wind of the plan and set out to expose the plot...

Cristina disappears. Tiago, her boyfriend, says that she was kidnapped, two police officers (Marco and Madalena) investigate the case and try to find the truth.

A woman takes her young son, leaves her husband and moves in with her lover. The boy, desperate to get his parents back together, becomes convinced that if only he can get his father's stolen motorcycle back everything will be fine again, so he sets out to get enough money to buy his father a new one.

The Revolution also put an end to the colonial wars in Guinea Bissau, Mozambique and Angola. Vasconcelos recounts the absurdity of this bitter conflict. - Cinema du réel

Parque Mayer was the park off all the emotions and amusements in the 1930' s. Under the dictatorship of Oliveira Salazar and his police, many people came to have fun in its theaters attending the portuguese kind of play called 'revista'. A writer called Mario Pintor (paintor) is writing a play in which a new actress (Deolinda) will star as the main role, while an already famous actor named Eduardo tries to seduce this recent arrival.

Artur is in Lisbon for his holidays, wonders aimlessly, and is picked up by Rui, a young man who is into marketing and advertising. Joana is in Lisbon for holidays, but also trying to escape from a mysterious, dark passion. Artur and Joana come together, find common roots in their rural background.