Page One: Inside the New York Times

Eat This New York is the story of two best friends' struggle to open a restaurant in the food capital of the world. As Billy Phelps and John McCormick suffer through financial crisis, the loss of their chef, and a crumbling relationship, the filmmakers turn the camera on New York City's legendary restaurateurs who prove that dreams can come true. Billy and John's gamble to open a restaurant together takes shape on Division Street, a unique block in Brooklyn that separates the Satmar Jewish community of Williamsburg from the Latino neighborhood of the South Side. During the course of a year, they convert a former check-cashing shop located under the elevated train tracks of the J/M/Z subway lines into a retro speakeasy. But before the restaurant is fully built they come close to bankruptcy and almost call it quits on their friendship.

Chronicles the creation of The Metropolitan Museum of Art's most attended fashion exhibition in history, "China: Through The Looking Glass," an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton.

As tuition spirals upward and student debt passes a trillion dollars, students and parents ask, "Is college worth it?" From the halls of Harvard to public and private colleges in financial crisis to education startups in Silicon Valley, an urgent portrait emerges of a great American institution at the breaking point.

An investigation into the ongoing threat caused by the phenomenon of “fake news” in the U.S., focusing on the real-life consequences that disinformation, conspiracy theories and false news stories have on the average citizen.

From director Andrew Rossi (PAGE ONE: INSIDE THE NEW YORK TIMES, THE FIRST MONDAY IN MAY) comes an electrifying portrait of writer and performer Okwui Okpokwasili and her acclaimed one-woman show, BRONX GOTHIC. Rooted in memories of her childhood, Okwui – who’s worked with conceptual artists like Ralph Lemon and Julie Taymor – fuses dance, song, drama, and comedy to create a mesmerizing space in which audiences can engage with a story about two 12-year-old black girls coming of age in the 1980s. With intimate vérité access to Okwui and her audiences off the stage, BRONX GOTHIC allows for unparalleled insight into her creative process as well as the complex social issues embodied in it.