Power and Terror: Noam Chomsky in Our Times

In this remarkable documentary, Noam Chomsky offers a riveting but devastating critique of America's current war on terror arguing, in fact, that it is a logistical impossibility for such a war to be taking place. Professor Chomsky presents his reasoning with astonishing and refreshing clarity, drawing from a wealth of historical knowledge and analysis. "Only those who are entirely ignorant of modern history will be surprised by the course of events, or by the justifications that are provided..."

Exquisite exploration of landscape and Toru Takemitsu's music for a Japanese moss garden.

The Havana port of Cuba, which is the stage of the novel "old people and the sea", and Yonaguni Island, which is located on the far west end of Japan, have a similar current like the same latitude. The producer who noticed this interesting resemblance and flew to Yonaguni island for the world of "the old man and the sea". Then, he met with an old fisherman, Shigeru itoko, who took Savion fishing on the sabbani,and took a long time to capture the time spent with the old fishman.

They are known throughout the world “the artists of the atomic bomb,” the Japanese husband and wife muralists, and ‘Toshi Maruki. Their collaborative relationship is unique: one paints a painfully detailed vision of the victims of the atomic blast; the other conceals the carefully delineated brush strokes with a grey-black ink “wash.” The first artist restates the specifics of the image; the second re-conceals. Through the repetition of this process, the work emerges. The subject of Hellfire is so painful, so fraught with implications for our collective fate, that one would expect a film that is unwatchable. The success of the film, however, is born of its subjects strengths, a delicate balance of memory and compassion. Gold Prize, 1986 Competition for Films on Japan; Interfilm Award, 1986, Mannheim Film Festival.

On April 1, 1945, the United States military launched its invasion of the main island of Okinawa, the start of a battle that was to last 12 weeks and claim the lives of some 240,000 people. This film depicts the Battle through the eyes of Japanese and American soldiers who fought each other on the same battlefield, along with Okinawa civilians who were swept up in the fighting. The film also depicts the history of discrimination and oppression forced upon Okinawa by the American and Japanese governments. Carrying up to the current controversy over the construction of a new base at Henoko, the film explores the root causes of the widespread disillusionment and anger expressed by many Okinawans. This ambitious documentary was directed by the American John Junkerman, long-term resident of Japan and Oscar-nominated documentary filmmaker. Okinawa: The Afterburn is a heartfelt plea for peace and an expression of deep respect for the unyielding spirit of the Okinawa people.

In 2005, sixty years after the end of World War II, the conservative Japanese government is pressing ahead with plans to revise the nation's constitution and jettison its no-war clause, Article 9. This documentary places the ongoing debate over the constitution in an international context: