Private Collections
Three stories. A solitary sailor falls from his boat and washes ashore on a tropical island. While seeking rescue, he's found by a nearly naked woman who is playful and compliant. He decides to erase his signs of distress and remain on the island. What awaits? In the second, an adolescent searches for the words of a nursery rime he remembers bits of. His journey takes him into dreams, sexual awakening, and Oedipal fantasy. Third, a man of wealth in late-nineteenth century Paris hires a prostitute for the night. She's also cabaret performer and takes him to her room. He fears he's about to be robbed. What's her secret?
Guy de Maupassant
Just Jaeckin
Jean-Michel Ribes
Walerian Borowczyk
Walerian Borowczyk
Shūji Terayama
Casts & Crew
Roland Blanche
Marie-Catherine Conti
Marpessa Dawn
Laura Gemser
Juzo Itami
Hiromi Kawai
Yves-Marie Maurin
Hiroshi Mikami
Keiko Niitaka
Takeshi Wakamatsu
Also Directed by Just Jaeckin
Emmanuelle, a svelte, naive young woman, is en route to Bangkok where she'll join her new husband. He works for the French Embassy and has a lovely home, several dedicated servants, and an expensive car at his disposal. Once Emmanuelle arrives, her husband and a few friends introduce her to a realm of sexual ecstasy she'd never imagined.
Based on a true story. Madame Claude, a well connected Parisienne with dark past, runs a network of high-class call girls. She sends her girls to any place in the world to satisfy sexual desires of wealthy and powerful men. Claude's manipulations also involve big business and politics. Meanwhile, photographer David Evans is trying to clear his own criminal record by providing the authorities with pictures of Claude's girls with important clients in compromising positions. But powerful men can do anything to keep their secrets...
The romance between a lion tamer and a liberated girl.
A beautiful woman hires an intrepid adventurer to help find her father, who has disappeared in the jungle while searching for a rare and priceless butterfly. Along the way they run into cannibals, a race of Amazon warriors and all the usual attractions one would expect to find in a lost jungle.
A film adaptation of D.H. Lawrence's novel. After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her physical desires. With her husband's consent, she seeks out other means of fulfilling her needs.
The beautiful O is taken by her boyfriend, Rene, to a bizarre retreat, where she is trained in bondage and sexual perversion...
A collection of European T.V. commercials directed by a variety of well-known directors from across Europe and the U.S. Compiled and produced by Jean-Marie Boursicot.
Three girls: Susanne, Annie and Catherine, just have finished high school and meet every night to have a good time in discos and bars with frequently changing boyfriends. Susanne’s younger sister Betty often joins them and copies their behavior, believes everything they say. So she soon ends up with with projectionist George – although she doesn’t take the pill yet.
Also Directed by Walerian Borowczyk
Kamar, who just arrived at Bassra, falls in love with the young wife of the old Obeid. But, until now, nobody has survived to be able to praise himself for obtaining favors from this beautiful, capricious woman.
Emmanuelle, the sexiest woman in the world, endures a streak of bad luck that begins when she's stripped by a mob of adoring fans at an international film festival. Emmanuelle's lousy luck continues when she's abducted from her yacht off the South of France and forced to submit to the erotic desires of an Arab sheik.
The first episode – featuring frequent Borowczyk muse Marina Pierro – is the longest and, in a way, most substantial: it’s set in Renaissance Rome, with the lusty (and perpetually nude) leading lady sexually involved with famous painters and church benefactors. The second episode is the most notorious and, consequently, gave the film its controversial poster – featuring a rabbit slowly disappearing under the skirt of a teenage girl (played by Gaelle Legrand). The third and final episode, which has a modern-day setting, is the shortest – but also, possibly, the most outrageous: Pascale Christophe is a young married woman who’s abducted on a busy Parisian street by a small-time hood hidden inside a cardboard box!
Lulu models for a young painter who tries to seduce her. When her husband enters the room he dies from a heart attack. Lulu marries the painter, who commits suicide when he finds out that she has been having a long standing affair with Dr Schon and whose son gives her a job. Lulu kills Dr Schon and goes to London to live with his son. Eventually, she becomes a prostitute and dies a victim of Jack the Ripper.
A portrait of Serbia's erotic surrealist painter Popovic Ljuba.
A witty and eye-opening tour through Borowczyk's own collection of vintage erotica. Originally intended as part of his 'Contes immoraux', it was released first as a separate short, and is therefore marks the turning-point between Borowczyk's career as a highly-regarded animator and surrealist filmmaker, and his subsequent career in the sexploitation field.
The chance encounter between a rebel devil and a nubile angel.
Borowczyk’s portrait of the painter Bona Tibertelli de Pisis and her erotic fusions of men, women and molluscs.
A short film advertising the newspaper Sztandar Młodych (The Banner of Youth), noteworthy for its abstract elements painted directly onto film stock. An attempt at showing the complexity of the world in a capsule, the film reflects the new policy of the openness to the West during the Thaw of the late 1950s in Poland.
An advert made by Walerian Borowczyk for a French pasta company. After everybody has left the museum, the paintings can finally come alive and help themselves to some pasta for dinner.
Also Directed by Shūji Terayama
Shuji Terayama and J.A.Seazer's phantasmagoric folk-psych-symph-prog-rock opera. Historical Tenjo Sajiki performance from 1978.
Shûji Terayama's commercial for the Japanese Racing Association.
Short film by Shūji Terayama.
In this Borgesian satire on knowledge and technology, bibliophilic desire leads to the construction of a pedal-powered reading machine. Resembling a combination of gymnastic contraption, printing press and early cinematic apparatus, the machine’s purpose remains ambiguous. And like this machine, Terayama’s film connects his work in poetry, motion picture and graphic design by weaving together printed and projected, still and moving images.
Lacking a coherent plot, We're All Riding on a Circus Elephant depicts the collapse of western civilization as a free-form collage advocating group anarchy and actor improvisation. The stage is a boxing ring. Those actors who are "onstage" get into the boxing ring and assault each other with words. Others heckle and cheer at the sidelines, or act as a rhythm-and-blues chorus while changing costumes or wigs. Taking as its coda Andy Warhol's dictum that everyone gets fifteen minutes of fame, actor transformations depict the Breakdown of Japanese values and selfhood due to an obsession with popular American culture.
This is Shuji Terayama memorial performance of The Hunchback of Aomori from 1983 (featuring Akihiro Miwa). Terayama gathered dwarfs, circus freaks, itinerant magicians, acrobats and untrained youth for his burgeoning troupe, Tenjo Sajiki. The troupe's premiere offering, written and directed by Terayama, was Aomori-ken no Semushi Otoko (The Hunchback of Aomori, 1967).
In a Japanese colony, children overthrow their parental guardians and attempt to form a new society. Their plan spirals out of control and they are soon lost in a web of sexual deviation and violence.
A girl loves a rich and much older man and is willing to do everything he wants to show her love, but he is playing a sick game with her. As part of this game he sends her to a Chinese brothel. A poor young boy sees her and falls in love with her. To get the money needed to sleep with her, he joins "the revolution". Additionally the movie shows the fate of some of the other prostitutes.
This remarkable compilation follows an exchange of video letters that took place between Shuji Terayama and Shuntaro Tanikawa in the months immediately preceding Terayama's death. It can be thought of as a home video produced by two preeminent poets and inter-laid with highly abstract philosophizing, slightly aberrant behavior and occasionally flamboyant visuals.
Experimental short film about two men carrying a door.