Also Directed by Kōji Wakamatsu
Koji Wakamatsu adapted the Kouhei Tsuka's play of the same name into a human comedy about the members of a traveling acting troupe.
A business man visits his hometown to search for a missing employee
In a housing complex, a college prep student is spying on his neighbor, a former peace activist, who now leads an ordinary life as a housewife, having a secret affair with an ex-lover.
A girl becomes a pawn in the game between two rival gangs gangster.
Mishima has just committed suicide. Two couples meet by accident at an inn in the countryside, the man and the woman, now, each with a new partner, who knew each other already for ten years...
Three violent and disillusioned students share an apartment. Their search for a place in society is through porn, fights, rape, and voyeurism. Not even leftist, militant student organizations are able to channel their youthful frustration.
After being raped in an unknown rooftop, nineteen year-old girl Poppo meets a mysterious boy, and both share their sexual traumas and fears, with fatal consequences.
It was a milestone of film as activism, cinema as movement in Japan’s context. Adachi and Wakamatsu went to Beirut on the way back from the Cannes Film Festival. There, in collaboration with the Red Army members and PFLP, they produced this newsreel film depicting the everyday activities of Arab guerrillas as a cinematic narrative on the world revolution.
Pinku from 1972.
Pinku from 1972.
