Raúl, la democracia desde adentro

“Soy Huao” is a film that is installed in the Toca family to watch from them and through the contemplation of a camera -which manages to become invisible-, a world organized by its own values and rules that far from any idea of consumption and urban well-being, it moves with very different customs in the midst of nature and survival in the face of vegetation loaded with a dense forest, the tropical humidity of the climate, and the variety of species of small animals. A plane that visits them every so often, connects the Huao community with the world. How long can a community that has struggled so hard to preserve its freedom resist the influence of the world as we know it?

Over the years they herded their animals up the mountain. But that custom had to be adapted to the economic proposals of the present. His world is extremely simple for the dizzying gaze of the city. They work day by day to generate a plate of food and in no way do they contemplate another place to live other than their mountain. There they were born, there they will die. Only two hours by car unites them with Santiago de Chile. So close so far.

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Baraja feels like a useless and tired survivor. Political and social disappointment, long reclusive hours and dejection bring an omnipresent violence in a man that doesn't believe in anything or anyone anymore and fights as much against everybody as he does against himself.

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