Rapado
After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.
Martín Rejtman
Martín Rejtman
Casts & Crew
Ezequiel Cavia
Damián Dreizik
Mirta Busnelli
Horacio Peña
Gonzalo Córdoba
Cecilia Biagini
Verónica Llinás
Also Directed by Martín Rejtman
Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.
The Bolivian community settled in Argentina celebrates over two consecutive Sundays in October the festival of their patron saint: Our Lady of Copacabana. Music and dance groups arrive from all over the country and meet in the Charrúa quarter in Buenos Aires. This celebration is the most important event for Bolivian immigrants and goes beyond folklore and religion to become a vibrant meeting place and bring about the cultural cohesion of traditions deeply-rooted in the collective memory of a people.
Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.
Stanislavski has nothing on Sergio, who leads experimental acting workshops for the grade school set. This comedy will forever change the way you look at child actors.
After her 27th birthday, Silvia Prieto decides to take charge of her life and make some changes. At the same time, she suddenly finds herself intertwined in the life of another woman who is also named Silvia Prieto.
This film follows the crisscrossed fortunes of, among others, a rock musician, a flight attendant, a dog walker with an alarming penchant for over-the-counter medication, and a cab driver, who doesn’t really care about his life spiralling out of control, as long as he can sit in his old Renault 12.
An early black-and-white mood piece, Rejtman’s lyrical short film fuses a young couple’s passage into early adulthood with a journey through Buenos Aires in the quietest moments at the very break of day.