Sábado a la noche, cine
Casts & Crew
Also Directed by Fernando Ayala
Angel lives with his mother and has homosexual inclinations. One day he meets Mirna, a prostitute who has a son. The three try to form a strange family.
Luis Sandrini plays a college professor who, because of his freethinking attitudes and concerns for moral questions over matters of business, has more in common with his students than his colleagues.
The neighborhood of La Boca, in Buenos Aires, is divided in two sectors: one is where decent people live under the tutelage of Magdalena, in the other, Manuel,ir responsible of a nightclub. Among decent people live Manolo, the milkman, awaiting the arrival of a Spanish woman to marry her. At the same time, the villain of Manuel also hopes for a Spanish nightclub. Women Arrivals weapon confusion.
A typical office employee decides one day rebelling against its routine and not going to work because it has a "lazy". His family, friends and colleagues are trying to dissuade him unsuccessfully at the beginning. But as time passed his situation complicated emotional and economically. These circumstances thwart his rebelliousness.
An innocent teenager, the son of dysfunctional parents, descends into the abyss of drug addiction.
Story of a typical working class family living in suburban Buenos Aires during early 1980's. Luis (Federico Luppi) is a righteous man who begins a struggle and a moral debate with the rest of the family, his close friend Vicente (Julio de Grazia) and other neighbors when a corrupt municipal official offers an "arrangement" for extending them a water line that would solve many long time needs.
A charming racecar driver is visited by his 20-year-old son who is nothing like his father. Solemn and introverted, the boy is shown the ways of sensual pleasure by his father's mistress, but he falls in love with another young woman. Intending to marry the girl, the young man takes the relationship very seriously. His father, however, believes the boy should have a more carefree lifestyle and decides to intervene by seducing his own son's fiance. This action proves to be a tremendous mistake. This film was one of the many collaborative efforts of producer Hector Olivera and director Fernando Ayala, though they often switched roles between screenwriter, director and producer of each project (No Exit, Funny, Dirty Little War).
A single mother descends into alcoholism. At an AA meeting, she tells the story of how the habit destroyed her personal and professional life.
