Sammy Davis, Jr.: I've Gotta Be Me

Before Oprah, before Arsenio, there was Mr. SOUL!" On the heels of the Civil Rights Movement, one fearless black pioneer reconceived a Harlem Renaissance for a new era, ushering giants and rising stars of black American culture onto the national television stage. He was hip. He was smart. He was innovative, political, and gay. In his personal fight for social equality, this man ensured the Revolution would be televised. The man was Ellis Haizlip. The Revolution was SOUL!

For 40 years, the community-organizing group ACORN advocated for America’s poorest communities, while its detractors accused it of promoting the worst of liberal policies. Riding high on the momentum of Barack Obama’s presidential victory in 2008, ACORN was at its political zenith when a hidden-camera video sparked a national scandal and brought it crashing down. The story involves voter fraud, a fake prostitute, and the rise of Breitbart.com.

Goin’ Back to T-Town tells the story of Greenwood, an extraordinary Black community in Tulsa, Oklahoma, that prospered during the 1920s and 30s despite rampant and hostile segregation. Torn apart in 1921 by one of the worst racially-motivated massacres in the nation’s history, the neighborhood rose from the ashes, and by 1936 boasted the largest concentration of Black-owned businesses in the U.S., known as “Black Wall Street.” Ironically, it could not survive the progressive policies of integration and urban renewal of the 1960s. Told through the memories of those who lived through the events, the film is a bittersweet celebration of small-town life and the resilience of a community’s spirit.

Zora Neale Hurston, path-breaking novelist, pioneering anthropologist and one of the first black women to enter the American literary canon (Their Eyes Were Watching God), established the African American vernacular as one of the most vital, inventive voices in American literature. This definitive film biography, eighteen years in the making, portrays Zora in all her complexity: gifted, flamboyant, and controversial but always fiercely original.

Documentary about the increasingly necessary conversation taking place in homes and communities across the country between parents of color and their children, especially sons, about how to behave if they are ever stopped by the police.

Unprecedented access to Wilson’s theatrical archives, rarely seen interviews and new dramatic readings bring to life his seminal 10-play cycle chronicling a century of African-American life. Wilson won two Pulitzer Prizes for Drama.

John Ford and John Wayne — a friendship and professional collaboration that spanned 50 years, changed each others’ lives, changed the movies, and in the process, changed the way America saw itself. It was a relationship that reflected all the elements and all the paradoxes of 20th century America — generosity of spirit, abuse of power, a sense of loyalty, and a restless nationalism that didn’t quite know what to do with itself.

A documentary that recounts the many ways in which American slavery persisted as a practice many decades after its supposed abolition.

An introduction to the work of some of the foremost Black visual artists working today, inspired by the late David Driskell's landmark 1976 exhibition, "Two Centuries of Black American Art."

Based on newly declassified files, the film explores the US government’s surveillance and harassment of Martin Luther King, Jr.