Senators in Bondage

Composed from footage found in the Imperial War museum, London, of Hitler Youth in full swing.

"The Man We Want to Hang" is a 12-minute short, consisting of Anger filming borrowed paintings done by legendary and controversial occultist Aleister Crowley.

Egyptian gods summons the angel Lucifer - in order to usher in a new occult age.

Puce Moment is a short 6 minute film by Kenneth Anger, author of the Hollywood Babylon books, filmed in 1949. Puce Moment resulted from the unfinished short film Puce Women. The film opens with a camera watching 1920s style flapper gowns being taken off a dress rack. The dresses are removed and danced off the rack to music. (The original soundtrack was Verdi opera music; in the 1960s, Anger re-released the film with a new psychedelic folk-rock soundtrack performed by Jonathan Halper.) A long-lashed woman, Yvonne Marquis, dresses in the purple puce gown and walks to her vanity to apply perfume. She lies on a chaise lounge which then begins to move around the room and eventually out to a patio. Borzois appear and she prepares to take them for a walk.

Filmed on a playground, Who Has Been Rocking My Dream Boat begins with what was described by Anger as a “montage of American children at play…in the last summer before Pearl Harbor”.

Kenneth Anger plays a "chosen adolescent" who is elected to be sent on a trip to Mars in a rocket. He awakes in a Martian maze only to find that he not the first to arrive from Earth, as evidenced by the human bones littered about. Although circulated on 16 mm through 1967, Anger then withdrew Prisoner of Mars. It is possible that the film no longer exists, but it may be among a few extant titles that Anger has stated he prefers not to show. This science-fiction drama was particularly interesting, as it was a structured as a serial chapter, and made use of miniatures and models.

Starring the color red, we see a chap in a blue shirt & blue baseball cap walking down a pink street (thanks to camera filters). Discarding the shirt he takes a nap in the sun, but soon sits up & introduces himself as Red. His missing blue shirt reappears & he goes for a walk looking at stop signs, because they're red, & walks past walls painted red, arriving home to look out the window with binoculars, presumedly at something red.

A woman dressed elegantly walks purposely through the water gardens at the Villa d'Este in Tivoli, as the music of Vivaldi's Winter movement of The Four Seasons plays. Heavy red filters give a blue cast to the light; water plays across stone, and fountains send it into the air. No words are spoken. Baroque statuary and the sensuous flow of water are back lit. Anger calls it water games.

The shadowing forth of Our Lord Lucifer, as the Power of Darkness gather at a midnight mass. The dance of the Magus widdershins around the Swirling Spiral Force, the solar swastika, until the Bringer of Light—Lucifer—breaks through.

Made when Anger was only 14 years old, Tinsel Tree is a short that demonstrated his early disdain for the Christmas season. Anger shows the Christmas tree as it is decorated in a series of close-ups, then the post-Christmas tree is shown burning in a garbage can colored in a burst of hand-painted gold flame. Although circulated on 16 mm through 1967, Anger then withdrew Tinsel Tree. It is possible that the film no longer exists, but it may be among a few extant titles that Anger has stated he prefers not to show. From written descriptions, the connectivity of this very-short short to Kenneth Anger's later work is obvious. (allmovie.com)