Serbia, Year Zero

Our story takes place at the end of the 1960s. This is the time of the collapse of the ideals of a more just and honorable life brought into prominence by students worldwide in the great rebellion in 1968 and of the beginning of the end of an equally grand illusion called Yugoslavia. Andjelko is the principal of a middle school in a small Bosnian place Dubica. He believes in Yugoslavia and worships its leader Josip Broz Tito. Andjelko, however, has one serious fault: he is a forger, he makes forged school diplomas. He does not do this out of self-interest, but because he is a staunch philanthropist. One day, a neighbor for whom Andjelko forged the leather-working school diploma, in order to take revenge on the local veterinarian, reports to the police that this one too has Andjelko's diploma. Our hero is, therefore, forced to flee to the big city. He lives there illegally, at the harborers of outlaws for whom he once forged diplomas. But one day, Andjelko runs into his schoolmate...

Year 1993, the bleakest time of war in Bosnia and Herzegovina. A group of actors from Belgrade, utterly unaware of what they're setting themselves up for, embark on a search for quick earnings - on a "tour" around the Serbian Krajina. However, there they are thrust into the heart of war and begin to wander from war front to war front, from one army to the next.

Yugoslavian filmmaker Goran Markovic directs the psychological drama The Cordon. Set in Belgrade over Easter weekend in 1997, the film involves a group of policemen who respond to the city's political turmoil. Due to the overthrow of Serbian leader Slobodan Milosevic, violence and protests have erupted all over the city. Patrolling the streets in a bus driven by Uros (Ratko Tankosic), the unit consists of Crni (Dragan Petrovic), Dule (Nikola Duricko), Kole (Nebojsa Milovanovic), and Seljak (Nenad Jezdic). They are led by commanding officer Dragon (Marko Nikolic), who isn't entirely sure what to do himself. Throughout their weekend-long shift, each man battles with his own personal problems as the political tension escalates. The Cordon won the top prize at the 2003 Montreal World Film Festival.

A documentary about 1996/97 winter anti-regime demonstrations in Yugoslavia.

Once one of the leaders of the 1968 protests, Sasa Belopoljanski is now an out-of-work architect who makes "movers" for living, some funny little mediapan mobiles which nobody takes seriously but him. Dreaming about the honest world free of corruption, Sasa deliberately refused all kinds of work that didn't fit into his revolutionary ideas. Eventually he crosses the path of a group of men involved in construction business, which he sees as a chance for his long-awaited professional success. But these people have other plans...

The year is 1916. In occupied Belgrade, a mental hospital is the last free territory of Serbia.

A theater troupe is traveling to Kosovo to stage a show there. The theme of a play called "Speech Disorder" is whether we can radically change our own identity? While on a journey, the director, the dramaturg and the actors are discussing who they are actually. They meet their former colleague, an actor, who in the meantime became a monk and lives in a monastery.

An Albanian pilgrim, infected with an unknown disease, is on his way back to Belgrade from the Middle East. When doctors realize that it is a disease that has been considered eradicated, it is already too late - variola vera begins to languish and the hospital is quarantined.

In a way of protesting for inhuman living conditions and the shortage of medications caused by the disintegration of Yugoslavia and its sanctions, a doctor in a hospital decides to close his clinic for mental illness. His wish is to return the patients to their homes or give them to someone who is willing to accept them temporarily.

Director Goran Markovic films people from various cities in Serbia who were major figures behind organized protests against Slobodan Milosevic's dictatorship during 1990s. "Unimportant Heroes" is about people whose achievements are not visible, nor society does acknowledge them.