Shunyo Awnko

A journey through the life of an aged Bengali poet, Shashibhushan. Shashbhushan, now blind, reflects on his past. Stimulated by sounds - songs, crows, traffic, and an electronic lighter - he recalls the now-vanished arts and literature scene of post independence Calcutta. The old man lives in a crumbling aristocratic mansion in the heart of town, which he shares with his teacher's daughter, Sarama, and her young son Shumon. During a vacation in the country another man enters their lives. Gangan was born blind and is a talented singer. Gangan and Sarama engage in a secret affair as Shashibhushan recalls his own wife, who he lost because of his uncontrollable sexual appetite.

Free as a bird. To wander. To nestle. To take flight. We are not. As India gained its much awaited independence in 1947, a race faced another struggle. Bengal was divided and hundreds of thousands of Bengalis were displaced and divided on the basis of their religion. The Hindus were forced out as East Bengal was made a part of Pakistan and the same fate lay in store for the Muslims of West Bengal. Millions became refugees in their own homeland, and thousands still bear the cross and the scar. The film is a human saga of a truncated land and how people are trying to relive their destiny.

Gudia is a 1997 Indian drama film directed by Gautam Ghose. Story of a simple ventriloquist, played by Mithun; his life and love. Based on a play by Mahasweta Devi.

A documentary about HH the Dalai Lama.

The clay idol-makers of Kolkata practice a unique art— an art that comes with the promise of dissolution and regeneration—a metaphor of life itself, with its impermanence and ebb-and-flow. The painstaking and elaborate process of the making of the idols, the festivities that grow around the worship of the deities that these idols represent; and the ultimate farewell of the deity in immersion, when the straw-wood-clay structures that typify divinity, disintegrate and dissolve in water and earth—are woven together in an exploration of the lives of these master craftsmen who go through hardships and privation in order to be true to their art.

The film is about a couple and how their relationship changes amid the pandemic and the lockdown.

Explores poet and singer Lalon Fakir's mystic sect The Baul.

The film features the characters from Satyajit Ray's Aranyer Din Ratri, returning to the forest over thirty years later. Ashim, Sanjoy, Harinath and Aparna have grown old in this film; Shekhar has died. They set out on a journey to break off every link with civilisation for a few days. However, the trip turns sour when Ashim and Aparna's daughter, Amrita, goes missing. It transpires that she is being held for ransom by local tribespeople. Police intervene and the kidnapped girl is returned to her parents, albeit against her own wishes.

A father encourages his daughter to marry a dying man in order to inherit his wealth.