Sokola Rimba

An ex-couple crosses paths again in Indonesia, a decade after the abrupt end of their relationship.

When we pass, what do we leave behind?

In the 1970s, a group of 10 students struggles with poverty and develop hopes for the future in Gantong Village on the farming and tin mining island of Belitung off the east coast of Sumatra.

A mother and daughter search for a missing friend. Eliana is a young woman who responds to unwanted male advances by kicking the men in sensitive areas. She arrives home after losing her job to find her mother, whom she has not seen in five months. Her roommate, Heni, is missing, and while the mother and daughter spend the film searching for her, they work out some of their underlying issues.

Drupadi, is an adaptation from a part of the Indian ancient epic Mahabharata. This movie depicts a story of Drupadi, the wife of five brothers known as Pandawa.

At his mother's request, a university student returns to his home on the island of Sumba, where questions about his late father come to light.

Plot unknown.

It's been a long time since Leila, a costume girl, hasn't seen her father. A number of photos of Mr. Leila taken when he was a child made Leila investigate things from a low point of view. The promise to meet again came and again ended up disappointed. Until one point he found evidence of the presence of the father in his daily life. From a different point of view.

Joao is a young man separated from his mother and sisters since the age of seven, when his father Ronaldo took him to live in Atambua following the referendum. He passes time in the dusty marketplace where dogs lie prone in the heat against an ambient thrum of skinny-wheeled motorcycles and incessant tooting. Ronaldo, a bus driver, is drunk more often than not and Joao alternates cleaning up after his father’s binges with listening to a secret stash of audio-taped letters from his mom. One day a young woman, Nikia, catches Joao’s eye as she glides along the street, her red veil wafting out behind her. She has come to Atambua from Kupang to complete the ritual mourning of her grandfather, and the sorrow of marginalization and loneliness unites the two teens. The local actors, speaking in their native Tetum language, acquit themselves well, with Beyleto particularly strong toward the end as the bitterly angry Ronaldo works to make peace with the pas

In 1950s Makassar, the life of a devoted mother is upended when another woman enters her husband's life.