Sorrowful Glory

A Shaw and Sons production.

A Songstress Called Hong Lingyan (歌女紅菱艷) aka Tears of Songstress is a 1953 Hong Kong musical drama film directed by Tu Kuang-Chi. The film was a co-production by Shaws Film Company and Far East Motion Picture Company, and is based on the screenplay by Pan Liu-Dai.

Chinese martial artist Huang Sheng arrives in Korea to free his uncle, who was abducted and forced to work in a concentration camp by the Japanese. Disgusted he must realize that the entire populace of the foreign province is suffering terror as well. Especially Mode Nakana and Akijame Endo and their troops oppress the people and even Tae Kwon Do master Sung Shin Shen and his pupils fail to stop the murders, rapes and robberies committed by those Japanese. Huang soon prepares himself to take on the evil 'Rising Sun’ gang to free not only his uncle but the Koreans as well...

The film was filmed for Chiang Kai-shek's re-election of the president. The history teacher introduced the origin of the Youth Festival to the students: Fujian Lin Juemin left his wife and went to Spike to engage in revolutionary work; Guangxi Wei Yiting took the uprising with the master Li Deshan, Sichuan Yu Peirun and Pei’s brothers fought in the righteousness, and a total of 72 martyrs uprising under the leadership of Huang Keqiang , determined to overthrow the full Qing

Yang Naifan's family has agreed to an arranged marriage. Yang Naifan is not happy with the arrangement and runs away to be with her true love, Li Zuyi. Disowned by her family, Yang Naifan must endure many hardships as she follows her heart.

Another Cathay Wu Xia flick featuring Melinda Chen Manling.

Meal Time is a comedy film about all the mess with housework that director Yan and his wife had to go through after the maid gave up her job.

Xu Ning meets secret agents Bai Ping and Mei Haozi and falls in love with Ping. Bai Ping becomes involved in a plot to steal confidential documents and faces subsequent danger...

Imagine a kung fu flick in which the martial artists spout Situationist aphorisms about conquering alienation while decadent bureaucrats ply the ironies of a stalled revolution. This is what you'll encounter in René Viénet's's outrageous refashioning of a Chinese fisticuff film. An influential Situationist, director René Viénet's stripped the soundtrack from a run-of-the-mill Hong Kong export and lathered on his own devastating dialogue. A brilliant, acerbic and riotous critique of the failure of socialism in which the martial artists counter ideological blows with theoretical thrusts from Debord, Reich and others.