Station 307

Wallace Shawn and Andre Gregory, apparently playing themselves, share their lives over the course of an evening meal at a restaurant.

A shallow, provincial wife finds her relationship with her preoccupied husband strained by romantic notions of love, leading her further towards Paris and the country wilderness.

A short documentary about the 1962 Tour-de-France. Topics covered include: crowds of people and motorcycles, drinking raids and feeding, pileups, doping, "the charge," and the mountain stages.

The Silent World is noted as one of the first films to use underwater cinematography to show the ocean depths in color. Its title derives from Cousteau's 1953 book The Silent World: A Story of Undersea Discovery and Adventure. The film was shot aboard the ship Calypso. A team of divers shot 25 kilometers of film over two years in the Mediterranean Sea, the Persian Gulf, the Red Sea and the Indian Ocean, of which 2.5 kilometers were included in the finished documentary.

In Louis Malle's lauded drama, Lucien Lacombe is a young man living in rural France during World War II who seeks to join the French Resistance. When he is rejected due to his youth, the resentful Lucien allies himself with the Nazis and joins the Gallic arm of their Gestapo. Lucien grows to enjoy the power that comes with his position, but his life is complicated when he falls for France Horn, a beautiful young Jewish woman.

Louis Malle's student film, featuring the title song by Charlie Parker.

Follows the scientific research carried out in the natural cavity of Fontaine-de-Vaucluse by Cousteau and OFRS (French Underwater Research Office) divers, who reach for the first time a depth of 243 ft.

The life of a respected British politician at the height of his career crumbles when he becomes obsessed with his son's lover.

An uninterrupted rehersal of Chekhov's "Uncle Vanya" played out by a company of actors. The setting is their run down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.

A brash and precocious ten-year-old comes to Paris for a whirlwind weekend with her rakish uncle. He and the viewer get more than they bargained for, however, in this anarchic comedy that rides roughshod over the City of Light. Based on a popular novel by Raymond Queneau that had been considered unadaptable, the audacious Zazie dans le Métro, made with flair on the cusp of the French New Wave, is a bit of stream-of-consciousness slapstick, wall-to-wall with visual gags, editing tricks, and effects.