Sting of Death

A group of students on an archaeology assignment in the Everglades decide to throw a dance party one night.

A priest sheds his habit, tunes in, turns on and drops out for a road trip that will change his life and bring him sorrow. Filmed in 1971 but not released until 2001.

A seven-minute look at what does on at the Davie Rodeo Arena.

William Grefe's return to films deals with thumbs, texting and thumbs.

Tim Ochopee, a shell-shocked Seminole Indian has just returned from a tour of Vietnam. He lives a peaceful life deep in the Everglades with his pet snake Stanley. Upon his return, he finds out his father has passed away. When he learns how he was killed, Tim lets Stanley and his brood loose on the people who've done him wrong, leading to a thrilling climax.

A stock car driver goes undercover as the wheel man for a motorcycle gang.

A paranoid, leisure-suit-wearing conman/gigolo named Matt Stone seduces lonely women, bilks them of their savings via an investment scam, then kills them. When he begins seeing an attractive widow, her daughter Tina becomes suspicious of his motives.

"What are you going to do now, loser?" With these words, the heroic cop confronts the villainous Daisey, a drug- runner who has killed Cubans, Coast Guards and police officers in his efforts to transport "grass and junk" into Florida. Daisy works with Acid, a useless junkie that kills and rapes an Indian woman, accidentally brings the police down on the group multiple times and spends half the movie shooting up, and Dum Dum, a violent pot-smoking Hispanic whose name derives from the bullets in his gun.

Floridian filmmaker William Grefé's previously lost "true crime" roughie THE DEVIL'S SISTERS makes its digital debut (well, most of it) via special features producer Ballyhoo Motion Pictures. When her policeman boyfriend Antonio dumps her for spurning his more physical advances, virginal Teresa decides to go to Tijuana and look for a job. She answers a newspaper ad seeking an attractive young woman to help with "extensive domestic and social activities" and soon finds herself locked in a bedroom cell and forced to service the paying customers of hostess Rita Alvarado. Teresa seeks solace in alcohol and cigarettes until Antonio turns up as a paying customer, calls her a "money-hungry whore" and refuses to help her.