Summer Cannibals

In an empty lot in Harlem, an elite group of New Yorkers prepares for a book-signing party given in honor of a writer who never shows up. Local residents, dealing with the practicality of life, look on as the guests obsess about identity, status, and success.

An egg-sorting woman shrugs off even the appearance of Christ. From Isaak Babel story.

A mediocre musician goes on the road in search of the world's greatest guitar maker

Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.

Produced in 1969, this was Frank’s first autobiographical film, telling the story of a father’s relationship with his two teenaged children, and his fragile attempts to communicate with them by means of a shared story. The shared story is partly told through Frank’s narration over filmed images of his photographs, family photographs and world famous images.

Filmed in Wendover, Nevada, in early 1981, Energy and How to Get It combines documentary and fictional ideas. What began as a documentary film about Robert Golka, an engineer who was experimenting with ball lightening and the development of fusion as an energy force, was turned into a spoof on the documentary form, inserting fictional characters into the story such as the Energy Czar (William Burroughs), and a Hollywood agent (filmmaker Robert Downey). (mfah.org)

Liferaft Earth opens with a newspaper report from Hayward, California: "Sandwiched between a restaurant and supermarket, 100 anti-population protesters spent their second starving day in a plastic enclosure...The so-called Hunger Show, a week-long starve-in aimed at dramatizing man's future in an overpopulated, underfed world…." This film was made for Stewart Brand, the visionary founder of the international ecological movement and publisher of the bestselling Whole Earth Catalog (1968-85).

Life Dances On is Robert Frank’s most personal and emotional work because it deals directly with his family and close friends. The film is dedicated to his daughter Andrea and to his friend and collaborator Danny Seymour, both deceased. Life Dances On is composed of delicately balanced, intuitive moments that merge Frank’s own sense of loss for two people close to him with several filmed portraits of those who share his life, including his family and people on the street in New York City.

This fly-on-the-wall documentary follows the Rolling Stones on their 1972 North American Tour, their first return to the States since the tragedy at Altamont.