Sunday Afternoon

A Visigoth count conquers a small village town from the Moors in the Lusitanian mountains, only to loose his possessions through the mysterious workings of a woman from parts unknown.

In an isolated village of the Alentejo region, a conflict arises. José Vitorino, one of the landowners of the region, rich in prehistoric monuments, wants to build a luxurious solarium in lands filled with ancient rocks, places of devotion and sacred rituals. Indifferent to the people’s protest, who believe in the magical powers of the stones and that the region’s drought is due to the rocks’ destruction, José Vitorino hires an architect to plan his new house. On christmas eve, in the middle of the winter solstice, a strange ceremony around a dolmen, once an altar for bloody sacrifices in more remote times, releases a harmful spell. A race against time to reverse the faulty charm begins.

Irene is an agent for an insurance company. She is given the job of investigating the disappearance of an elderly librarian in a provincial town. During her investigations she meets a history teacher - Ricardo - who knew the librarian and is interested in local legends. Irene happens to hear about a very old medieval castle which, according to legend, has a secret entrance that opens mysteriously on Christmas night as the clock strikes twelve.

World peace is at stake if a spy-ring obtains the electronic device

Black and white with color photography is used to tell the story of 12 would be demonstrators waiting for re-enforcements to show them the way. the group spends their time talking about love, religion, sex and the war. The meeting degenerates into a drunken orgy before the police mercifully break up the group and stops the film from continuing. The film was banned in Portugal. - Dan Pavlides, Rovi

The director and two writers and intellectuals interview the Artist in his atelier, and near some of his works, discussing its relations with his former poetic and philosophical works.

In the time of King Leonardo, a war and the plague that accompanied it depopulated Traslândia. Ignoring these tragic events, Queen Isménia, Princess Camila and lady-in-waiting Narcisa, coming from a distant kingdom, arrive in Traslândia, when the war approaches the end.

An engineer falls in love with a girl from a village. A battle between progress and tradition.

In the summer of 1870, Raquel, who owns a farm, and lives secluded in her mansion with an old butler and a handful of servants, feels proud when an odd acquaintance comes by. Adriana and her daughter-in-law, Ermesinda, a very young girl, just happen to be visiting - the second time in 15 years for Adriana, and the first time for the teenager Ermesinda. The meeting seems to be pleasant, and yet, for reasons untold, there is coldness and reserve between Adriana and Raquel. Their ambiguous relationship will be revealed, when by accident old wounds are reopened.