Tac-tac

Aurelio is a shark fisherman who works on the coast of Tabasco, Mexico. He works hard and sends money to his wife and children that live in Mexico City. He seems very happy in the coast --he even has a romance with a native girl-- although he misses his family. One day he decides to go back to Mexico City where his brother in law is waiting to invite him into a busines. Aurelio never gets to fit his new life in the city where "even the bed is soft". He decides to turne back where the life he loves is

A mechanic takes his family to a car race and a series of events occur which brings problems, betrayals, violence and the unexpected death of an elderly person.

Raul (Igancio Lopez Tarso) is a white man who enjoys the simple way of life practiced by the Indians of Mexico. He does his best to try and help the tribe, but he becomes a victim of greedy land grabbers who covet the tribal property. Jaime Fernandez and Aurora Clavel play the Indians. The feature, written and directed by Luis Alcoriza, appeared at the 1965 Cannes Film Festival.

Two families gather at a cemetery to honor their departed.

Regina, who lives with her son Daniel, loses her teaching job because his illegitimacy. She opens a sewing shop and keeps her child away from people. The movie narrates the dramatic relationship between a mother, her illegitimate child and the puritanical society around them.

When the bottle she uses to help women gave birth to their children breaks, Mama Santos the midwife announces that something terrible is going to happen in a town from the country side of Mexico, while tension and acts of violence increase. A story of superstition in a small town from the pen of Nobel Prize winning author Gabriel Garcia Marquez

A psycho with a hair fetish is caught in the act of disposing of a body and the lonely housewife that witnesses it must fight for her life.

Julio Álemán stars in this fast-paced, often violent tragedy based on a true incident involving three young delinquents. The tale is directed byLuis Alcoriza, well known as a screenwriter for Luis Buñuel in films like Los Olvidados. Everything begins when two youths with nothing constructive on their minds decide to form a gang and go about terrorizing young couples. During one such episode, the female victim becomes attracted to the leader of the gang and so an odd, on-the-edge relationship begins. Now the group of three steal a car in Mexico City and take it joy-riding to Guadalajara where a suspicious used car salesman calls the police after they try to sell him the car. Desperate and with nowhere to turn, the trio have every reason to be frightened because the police have orders to shoot them on sight.

Avila, early twentieth century. Pedro, a boy of nine years, accompanied by his tutor, comes to live in the house of Don Mateo, a teacher that from that moment will be responsible for his education. Pedro begins an almost familiar relationship with Doña Gregoria and Martina, wife and daughter of his master. The appearance of Alfredo, and roommate and colleague of studies, complete the circle of his emotional environment. Provincial life, relationships with peers and the special relationship between life and death instilled by Don Mateo, definitely will influence his future life.

Tragic romance.