Taken at the Flood

Kidnap and Ransom is a British television three-part miniseries, originally shown on ITV in January 2011 with a second series following in February 2012. The series follows the work of a British hostage negotiator Dominic King, played by Trevor Eve, who is also executive producer of the series.

Funny film concerning John Prescott's affair with Tracey Temple

Complex tale about small and big players in the African diamond business wrapped around a murder of US senator's daughter.

Hotel Babylon is a British television drama series based on the book of the same name by Imogen Edwards-Jones, that aired from 19 January 2006 to 14 August 2009, produced by independent production company Carnival Films for BBC One. The show followed the lives of workers at a glamorous five-star hotel. In 2009, actress Alexandra Moen mentioned in an interview that the show was cancelled after its fourth series, leaving the series 4 finale cliffhanger unresolved.

Benjamin Zephaniah, renowned Rastafarian poet/rapper is traveling by train from Birmingham to Cambridge to receive his Creative Arts Fellowship sharing a carriage with a racist and philistine car spares salesman played by Timothy Spall; by chance the poets Keats, Byron, Shelley and writer Mary Shelley are transported from a séance they are conducting in The Villa Como by a freak electrical storm. A battle of wits, drug taking and poetry performance ensues!

Focuses on a manic-depressive psychiatrist, Dr. Daniel Nash, and the mental hospital in Glasgow where he works.

Stripped of his medical license after performing an operation while high on amphetamines, famed LA surgeon Dr Eugene Sands abandons his former life only to find himself crossing paths with Raymond Blossom, an infamous counterfeiter. Employed as a "gun-shot doctor" when Raymond's associates cannot risk visiting a hospital, Eugene is lured deep into the criminal world and becomes entangled with his boss's girlfriend.

In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.

Two boyhood friends end up on different sides of the law. How will each react when they meet up for the first time since school?