Tattoo Uprising

Deep Ellum is a place -- a part of Dallas, Texas. Deep Ellum, along with its legendary music scene built by the likes of Blind Lemon Jefferson, Blind Willie Johnson, Lead Belly, and Bill Neely, all but disappeared with the construction of Central Expressway in the 1950s. This film is one of three short films in the Living Texas Blues series which explores the 1920's and 1930's night life in Dallas through the music of Bill Neely.

This is one of three short films in the Living Texas Blues series. Battle of the Guitars shows the ranging influence of Aaron "T-Bone" Walker throught the performance of Pete Mayes and Joe Hughes at the Doll House Club in Houston.

In the film "You Don't Need Feet to Dance," African immigrant Sidiki Conde, having lost the use of his legs to polio at fourteen, balances his career as a performing artist with the almost insurmountable obstacles of life in New York City, from his fifth-floor walk up apartment in the East village, down the stairs with his hands and navigating in his wheelchair through Manhattan onto buses and into the subway. Sidiki struggles to cope with his disability and to earn a decent living, but he still manages to teach workshops for disabled kids, busk on the street, rehearse with his musical group, bicycle with his hands, and prepare for a baby naming ceremony, where he plays djembe drums, sings, and dances on his hands.

The Beat Hotel, a new film by Alan Govenar, goes deep into the legacy of the American Beats in Paris during the heady years between 1957 and 1963, when Allen Ginsberg, Peter Orlovsky and Gregory Corso fled the obscenity trials in the United States surrounding the publication of Ginsberg’s poem Howl. They took refuge in a cheap no-name hotel they had heard about at 9, Rue Git le Coeur and were soon joined by William Burroughs, Ian Somerville, Brion Gysin, and others from England and elsewhere in Europe, seeking out the “freedom” that the Latin Quarter of Paris might provide.

Texas Style centers on three generations of Westmoreland family fiddlers, bringing you to the Homecoming, Rodeo, Reunion and Fiddling Contest in Gustine, Texas, where there are armadillo races, tobacco-spitting and frog hopping contests, cow chip throwing and young and old comparing their hog calling skills. Inside a canvas tent, some of Texas' most remarkable fiddlers compete to the foot-stomping delight of their audience.

Since 1946, Lucien Mouchet has been making small-scale reproductions of carousels and fairground scenes that existed in the past or are still in operation today. A machinist by trade, Mouchet retired nearly two decades ago, but his obsession with precision and detail has continued. To date, he has created 48 carousels; each is a functioning masterpiece that is constructed to be exactly 1/20 scale of the original. Mouchet works from photographs and measurements he has taken over the years of carousels that have toured France and across Europe. Mouchet tediously prepares shop drawings and hand-tooled parts, analyzing the different modes of assembly and the varying principles of movement. He combines an expertise in engineering with whimsical recreations of the carnival atmosphere, replete with electrical motors, lights, signage, transport trucks and miniature people, made by him and hand-painted by his wife, Georgette.

A peek into the creativity of Jaber al Mahjoub, a street artist, originally from Tunisia and now living in Paris, France. Encouraged at an early age by the French artist Jean Dubuffet, Jaber calls himself the "Happy Idiot," obsessively making paintings, sculptures and songs that express the immediacy of life and experience. Jaber himself is Art Brut.

Alan Govenar's doc introduces a little-known NEA program honoring masters of folk arts and music.

Master Qi and the Monkey King explores the life and work of the preeminent master of Chinese Opera living in the United States. Qi Shu Fang was a household name in China due to her feature role in one of the Cultural Revolution Opera films, and traveled the world to show off her mastery of the art form. The film explores the reasons why Ms. Qi, her husband and a whole troupe of Chinese Opera performers have moved to the United States to transplant their art form to a foreign culture.

LITTLE WILLIE EASTON takes the stage of the street and a House of God church south of Miami with his talking, gospel, steel guitar, and performs in a musical style he pioneered in the 1920s that reached its pinnacle in a stirring tribute to the late Franklin Delano Roosevelt. The film premiered at the SXSW 2010 Film Festival.